Dai Ning

The one directorial feature by Ning Dai, sister of 5th generation filmmaker Ning Ying and wife of 6th generation filmmaker Zhang Yuan. It follows a chaotic period in November of 1993, when production suddenly halted on Zhang Yuan's TV film adaptation of a popular novel, Chicken Feathers, after the Chinese Film Bureau announced that Zhang could no longer direct the film due to submitting his previous independent feature, 1992's Beijing Bastards, to a film festival in Japan without receiving the proper authorization to do so. Ning's documentary features anguished meetings between the Chicken Feather's production crew as they debate replacing Zhang with another director, along with testimonials on the state of censorship in Chinese independent cinema of the early '90s from Wu Wenguang, Tang Danian, He Jianjun, Cui Jian, and others.

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The one directorial feature by Ning Dai, sister of 5th generation filmmaker Ning Ying and wife of 6th generation filmmaker Zhang Yuan. It follows a chaotic period in November of 1993, when production suddenly halted on Zhang Yuan's TV film adaptation of a popular novel, Chicken Feathers, after the Chinese Film Bureau announced that Zhang could no longer direct the film due to submitting his previous independent feature, 1992's Beijing Bastards, to a film festival in Japan without receiving the proper authorization to do so. Ning's documentary features anguished meetings between the Chicken Feather's production crew as they debate replacing Zhang with another director, along with testimonials on the state of censorship in Chinese independent cinema of the early '90s from Wu Wenguang, Tang Danian, He Jianjun, Cui Jian, and others.

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The first days of 2020's lockdown seem to drag forever for a group of tourists trapped in a Thai hotel. In strict confinement and as the big day of an unexpected event approaches, emotional entanglements, tensions and long kept secrets rise to the surface.

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The film is inspired by the story of Hao Wanzhong, a policeman in Ordos, Inner Mongolia. Following his career, through the inner workings of a modern Chinese police department in Inner Mongolia. While rising through the ranks Hao Wanzhong successfully solves difficult cases. His story carries us through vicious murders, corruption, and social unrest, against a backdrop of majestic winter landscapes, opulent cities and the raw industrial districts of this remote region of China. Hao's obsession with detective work leads to his meteoric rise from beat cop to district police chief, however his maniacal dedication comes at a cost, a cost to his family and ultimately leads to his death. - Written by Sean O'Dea

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Qiang a rebellious 4-year-old is put in boarding school where he causes havoc by defying the teachers and principal who try to impose some discipline on him.

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A voyage through modern day Beijing in the taxi of the womanising Dezi. His aimless drifting between destinations and women is much like Beijing's own search for identity between perishing ancient values and an uncertain future.

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In February 1995, after many years of preparation, the modern dancer Venus finally underwent transgender surgery in Beijing. On the eve of becoming a woman, he gave an interview and talked about his determination, aspirations, and good life ideals. The operation was tortuous and painful. After the operation, my father went to the police station to change the gender on the Venus ID card. From then on, Miss Venus was born. In March 2000, Venus once again interviewed her about her many boyfriends in the five years after the operation, her happy life, and her special encounters and adventures. The film allows the audience to see a Miss Venus living in her dream.

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