Vitaly Mansky

Russian Federation, December 31, 1999. After President Boris Yeltsin's unexpected resignation, Prime Minister Vladimir Putin becomes acting president of the country. From that day and for a year, Vitaly Mansky's camera documented Putin's rise to power. The story of a privileged witness. The harsh explanation of the reason why politics is the art of possibility of achieving the best with the support of many, but also of giving the worst in return.

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In five European cities: Helsinki, Rome, Budapest, Brussels and Moscow, five directors made a film about the place in which they live. The director of the Moscow series Vitaly Mansky lives in the house where the great documentary filmmaker Dziga Vertov used to live. What Vertov saw in his windows and what a modern director sees today.

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While Ukraine is fighting, how does it affect the rear? For a year and a half, Vitaly Mansky has portrayed his hometown of Lviv, where everyone’s existence is shaped by the Russian missiles’ flight time to their targets.

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War doesn’t start and end in battlefields; it originates and is buried in peaceful cities. This film delves into the context of the ongoing war in Ukraine, not by focusing on violence, shelling, or the victims, but by reflecting on the military vehicles that either enter or have long been embedded in the lives and minds of people across various countries.

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On February 24, 2022, Yevhen, together with his friends, volunteered to join the first aid squad on the front line. They provided life-saving support and evacuation of the wounded. This film reveals the experiences of these young men for six months full of drama, despair, fear, hatred, bitterness, love, and, most importantly, faith in victory.

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Just like the novel 1984, film 2020 is not about a calendar year, although it is about unique events. The year 2020 serves as a backdrop for a conversation about freedom and unfreedom, starting on the eve of 2020 with Mikhail Gorbachev and continued by Latvian theatre director Alvis Hermanis; documentary filmmaker Vitaly Mansky, who emigrated from Russia to Latvia; actress Chulpana Hamatova, who was once a confidante of Vladimir Putin; and actor and artistic director Yevgeny Mironov. Together, they create a theatrical production on freedom and a man who gave everyone equal opportunities to enjoy it.

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An immersion into the intimacy of Mikhail Gorbachev, the last leader of the USSR. The architect of perestroika and glasnost, who was praised in the West but reviled in his own country, still combative despite his advanced age, loneliness and illness, offers his personal and political testament.

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Russian Federation, December 31, 1999. After President Boris Yeltsin's unexpected resignation, Prime Minister Vladimir Putin becomes acting president of the country. From that day and for a year, Vitaly Mansky's camera documented Putin's rise to power. The story of a privileged witness. The harsh explanation of the reason why politics is the art of possibility of achieving the best with the support of many, but also of giving the worst in return.

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Russia. August-September 2016. A month remains before the State Duma elections. The main characters of the film are a mother of four children, a paralympic, an opposition journalist, a philologist girl, a young economist and a trucker - independent candidates. What made each of them enter the fight and how do these men and women live on the eve of the elections is about this movie.

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Vitaly Mansky’s intimate and insightful new documentary finds him crisscrossing Ukraine in the wake of the Maidan uprising, which has left his relatives scattered on both sides of a highly charged and dizzyingly complex political situation.

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Over the course of one year, this film follows the life of an ordinary Pyongyang family whose daughter was chosen to take part in Day of the Shining Star (Kim Jong-il's birthday) celebration. While North Korean government wanted a propaganda film, the director kept on filming between the scripted scenes. The ritualized explosions of color and joy contrast sharply with pale everyday reality, which is not particularly terrible, but rather quite surreal.

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The main characters of the film have made choices, which change their lives forever. A young man Yigal Amir assassinates the Prime Minister of Israel and becomes the most hated prisoner in the country. Larissa, who emigrated from Russia, mother of four divorces her first husband, marries the assassin and gives birth to his son. For many years the film authors have been trying to solve and perceive this complicated story. One of them, Hertz Frank, passes away during the shootings remaining on the threshold of the eternal mystery - life, death and love...

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The film is dedicated to the work of one of the most famous Russian composers, the author of the first Soviet rock opera Alexander Zhurbin. The 4 episodes tell about the different facets of the composer's work, about symphonic music, about musical theater, about cinema, about pop songs. The film is built as a monologue of the protagonist, the shooting was carried out in Moscow, Tashkent, New York, St. Petersburg. The composer's wife, poet and translator Irina Ginzburg, and the son, composer Lev Zhurbin, take part in the film.

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Director Vitaly Manskiy sets off on the trail of the Trans-Siberian gas pipeline to find out what it’s like for ordinary people living in its vicinity. This visually refined road movie, eloquently illustrating the absurd banality of modern Russia, is also an unsettling portrait of a gas line on which most of Europe is reliant.

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The story is about a family that lives in a ghost town. 15 years ago, there was a job and a happy life here. After the closure of the mine, there were only old barracks, mountains of recycled land and unnecessary people who had lost the meaning of life. Is it possible to survive in such conditions and not sink even lower, when all moral boundaries are erased? Are these people's hopes for happiness destroyed? And is there a place for a holiday, a dream, or love in a hopeless reality? At the festival "Texture" in Perm, the tape was awarded the main prize.

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A chronicle project about children born on the eve of 2000. 12 episodes of 44 minutes. "In 1999, the world was preparing for the new millennium. So, to the change of epochs, generations. Many considered the change of three nines to three zeros a radical scrapping of the times. It was then, on the scrap, that the foundation of our television project was laid," says Vitaly Mansky. - Then, in 1999, we chose almost at random several dozen women living in Russia at that time and at that time preparing to become mothers. Then everyone was eager to find out what their life would be like in the new millennium, how the history of their country, city, and, of course, their families, their future children would develop. Children who today, in 2006, became the heroes of our television chronicle of the new time... "

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A drunk couple spend their summer-holiday at sea. Their life is not everything they hoped for, and abuse is part of their relationship. At sea they dream about love and understanding, and we observe their fellow countrymen spending their holidays on the same beach. Tragedy, comedy, love, hate, sex : it is all there.

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On July 25, 1980, the great Russian poet Vladimir Vysotsky died. He was 42 years old. He did not die in a duel like Pushkin and Lermontov, did not fall from a bullet and a noose like Mayakovsky and Yesenin. The cause of his death was no less dramatic. Vysotsky struggled with death for a long time. But by the beginning of 1980, this duel turned into a fierce fight. After 25 years, we present the first documentary evidence of this struggle. Everyone has the right to their own judgment about the death of a great poet, but no one's judgment can claim absolute truth. According to eyewitnesses, after the meeting of the new 1980, Vysotsky's disease began to progress and turned into a real agony. We will reconstruct the events with chronological accuracy from January 1 up to July 25, 1980. In our film, people who knew Vysotsky intimately in the last year of his life tell us.

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A documentary film about the life and early death of Russian singer and songwriter Aleksandr Bashlachev through the eyes of his friends, family members and other representatives of rock music scene.

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A documentary series filmed in the mode of a reality show and aired on the STS TV channel in 2004. The goal of the creators is to convey the real atmosphere within the group and show the life of the Tattoo group in all its manifestations.

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Podnebesnaya was a musical production company organized by producer Ivan Shapovalov. The project for Podnebensaya, with the same title, began in 2003 in Moscow, Russia. The main purpose of the production was to produce t.A.T.u.'s second studio album, however after a falling-out with Ivan, such production was ended. Shapovalov continued to work with other Russian artists including 7B, Helya, Ledokol, FlyDream and n.A.T.o.. A CD was released of this project in 2004, after t.A.T.u. split from Shapovalov. The CD was titled Podnebesnaya No. 1, and only featured one song by t.A.T.u., although the release capatalized on the fact that it was made during the reality show.

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The true, detailed lives of the girls of the Russian pop duo t.A.T.u. as they break through in their promotional tour in America.

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Not far from Grozny, on an alternate railroad track, there is an old steam locomotive with several wagons attached to it. The steam engine gives steam — hot water is in the boilers, and a bathhouse is equipped in the cars, where soldiers and officers wash, laundry is washed ... A washing on wheels — at the same time a soldier’s bivouac, a piece of peaceful life, and the beginning of a new road. To this locomotive, these cars come - platooned, in batches and one at a time - tired, tired, unshaven, angry Russian guys. They scrape dirt off themselves. Soak from stubborn soot, warm with souls. They put on clean underwear. They drink vodka. They smoke. They talk about love, remember loved ones and native places. Cry. They sing. And around - the landscape after the battle. It's not over yet ... An accidental explosion. Stray bullet. And our guys washed into the unknown. Clean. Hoping to survive.

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"We propose to look at the history and the present day of the Kremlin through the eyes of people who have been serving the Kremlin for years... The film consists of five episodes. The first is the preparation of the Kremlin for the New Year, the second is dedicated to the Kremlin as a presidential residence, then - the Arsenal and military history, the fourth - symbols, the fifth - the Kremlin as a museum.

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Today, a series of hockey matches in 1972 between the national teams of Canada and the USSR is remembered only with the prefix super. They call it a milestone in the history of the development of world hockey, and not only hockey. The meeting of Soviet hockey players with Canadian professionals has become the main topic of world news. One Canadian journalist promised to eat the newspaper in which it is printed if the Russians win. The Russians won. And the journalist Dick Beddoes had to fulfill his promise and eat a report in the newspaper with borscht. What happened then, 30 years ago in the USSR, Canada, how the games were held in Canada and Moscow, the intensity of the political confrontation around hockey, life before and after the super series - about all this in five episodes.

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Award-winning filmmaker Vitalij Manskij followed Mikhail Gorbachev, Boris Yeltsin and Vladimir Putin during the course of a year. The result is both an insider’s account of politics in Russia and an intimate portrait of the three ‘Red Tsars’.

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In five European cities: Helsinki, Rome, Budapest, Brussels and Moscow, five directors made a film about the place in which they live. The director of the Moscow series Vitaly Mansky lives in the house where the great documentary filmmaker Dziga Vertov used to live. What Vertov saw in his windows and what a modern director sees today.

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Yulia is sixteen, she lives in a hut and is pregnant. Vanya lives with his parents in a five-story building. His parents are against mesalliance and do not let the couple on the threshold.

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"Open up, the Police" is the first Russian documentary series about the police. This is a cycle of 26 films about the "harsh working days" of real policemen, employees of the Moscow Department of Internal Affairs "Airport". They perform operational and investigative actions, which are immediately removed by the film group. Among the heroes are a district inspector, an operational officer, an investigator, an inspector for minors and the head of the Department of Internal Affairs. Each episode is dedicated to one crime. The viewer sees with his own eyes how operas work - starting from a call to the police station, ending with the detention of a criminal and his interrogations. The Laurels Award nominees were three series - "Trunk", "Step from the roof", "Snow was falling Quietly".

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The Leningrad period of V. Putin's life.

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The history of the formation of modern Russia.

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The collective life of the generation born as Jurij Gagarin became the first man in space. Vitaly Mansky has woven together a fictional biography – taken from over 5.000 hours of film material, and 20.000 still pictures made for home use. A moving document of the fictional, but nonetheless true life of the generation who grew up in this time of huge change and upheaval.

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In 1991, the Communist Empire of the USSR was destroyed. And one of the main symbols of Soviet power — Lenin's Mausoleum and Lenin's Body itself were left without an owner. The film tells about Lenin's body, its contents, its protection and different opinions about the future of this body — to sell, to revive ..., to bury. "Lenin's Body" is a film about a society that survived the collapse of the Empire.

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