Giorgos Tsemperopoulos

Lena is a 20 year old woman who lives in Athens, works at a local supermarket and lives with her family.What if keeping her baby is the only way to keep her job?

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In a few days Minas is going to participate in a TV show called "Talent of the year". A TV crew follows him in his everyday life interviewing him and his closest people, until the big day of the show. Minas must win to fulfill his dream. What is his talent? He is a cowboy. In Athens.

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Jimmy, Mary and Makis are three people living their everyday day life in an entirely different manner. They seem to have nothing in common and normally they shouldn’t even know each other…

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A documentary about cinema censorship during the dictatorship in Greece (1967- 1974), based on never-before-seen state archives. The film includes clips of films which were either censored or banned, newsreels of that era, interviews with famous directors and also secret documents from the reports of the Censorship Committee that are made public for the first time, portraying a revealing picture of the system’s control mechanisms and providing a fresco of that time.

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Sotiris is a police investigator in Athens who lives by a strict moral code. An honest man, he carries himself as though held down by the weight of the world. Dora is a cleaning lady, struggling to get by any way she can. Dealt a rough hand in life, she has developed a rich layer of cynicism and mistrust that informs her every action. When a man Sotiris believes is innocent is arrested for a brutal crime, his attempt to uncover the truth results in a grave mistake. Finding himself on the other side of the law for the first time, he places his fate in Dora, the only witness to his malfeasance and the only person who can help him, for better or for worse.

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Seven years after the incident on the Pitta islet, the team leaves the Aegean and goes ashore to help Stavrakomathiakakis find little Noori, who is about to be deported.

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A group of Greek soldiers are assigned to run the Cinematographic Unit of the army in the midst of political unrest.

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"Arpa-colla" in Greek literally means "Grab and stick", a phrase used to show something that has been done quickly and therefore isn't good enough. This is what the 2 main heroes of the film are doing. The one is a director(Giorgos) and the other an author(Kostas) with communistic ideas, who has won a prize at a festival. They both want to make a movie for the cinema. But every idea they have never comes true, because every time they meet someone to whom they tell their idea, they change their mind, and they want to make a totally different movie, ideas varying from political cinema to Greek historical dramas and modern films with motorcycle gangs. Not a bad attempt for the Greek cinema of the early 80's, which starts to wake up from the hibernation of the 70's.

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A young man (Giorgos Tsemperopoulos) arrives in Athens to study at the School of Fine Arts. He doesn’t let the events at the Polytechnic in November 1973 affect his studies, and he also begins an affair with a girl. Initially, he gets a job in a gallery and then in an advertising company.

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Athens 1966. Dimitris, 13, unexpectedly loses his father. Seeing his pampered mother collapse, the boy gets carried away and decides to skip childhood in order to stand by her. When he feels ready, he has to claim his mother back from an up-and-coming star of the military regime. A brutal coming-of-age story, where Dimitris reacts in vengeance, changing thus the course of Greek history...

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A young man just released from the army is making great dreams for his life. Finally he gets a job in a butcher's shop and gains the confidence of the owner. After the butcher's death he falls in love with his daughter but also has an affair with the widow and cannot decide between them

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Still reluctant to call it quits on her dying marriage, a conventional Athenian housewife gets caught up in a whirlwind romance with a successful man. Will this deliciously dangerous affair lead to true love or sharp disappointment?

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The uprising of the villagers in Megara against the 1973 Junta's decision to expropriate a vast agricultural land in order to build an oil-refinery and, their successful (?) struggle against this call. Shot in a period when Ecology and Environment were terms unknown in Greece, the uprooting of the ancient olive grove of Megara is one of the gravest ecological disasters in the country. The peasants' unique way of expressing their thoughts and feelings is filmed in a powerful cinematic language, in one of the most important documentary films of contemporary cinema.

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