Rubens Ewald Filho

In 1965, a year after the military coup in Brazil, an oasis of freedom opened in the country's capital. The Brasília Film Festival: a landmark of cultural and political resistance. Its story is that of Brazilian cinema itself.

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Through archive footage and testimonials from former filmgoers, this documentary presents the story of the historical movie theaters located on the avenues of São João and Ipiranga and its surroundings, in São Paulo's city centre. Known as the Cinelândia Paulistana, this area lived its heyday in the 1950s, when there were more than 15 cinemas in full operation.

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Before the streaming era, the video stores were the key for the beginning of home video experience in Brazil. The documentary narrates the history of São Paulo's mom-and-pop video stores from its appearance to the vanishing of this platform. Owners, employees, customers and critics talk about the experience of renting a movie.

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In 1982, almost five million people took theaters to see Erotic Things, the first Brazilian porn film. The production is today considered a major episode in the history of Brazilian cinema because it was launched during the country's military dictatorship. Thirty years later, The First Time of Brazilian Cinema found the producers and actors to tell the inside story of this fascinating journey.

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A simple and handy manual to take the boredom under the narration of a sick mind, crazy in any big city. Mojo, a lonely young fanatic about movies and American culture, has dreams that will never come true. After spending his days holed up in a building, he decides to vent his repressed impulses by running over mutton dogs.

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A man remembers forty-eight crucial hours in his life when, as a child, he visited his mother, the favorite woman of an important politician, in a bordello owned by him, right before some important political changes in 1937 Brazil. In those hours, he discovers his own sexuality.

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The story of how D. Pedro I proclaimed the Brazilian independence on September 7th, 1822, and rose from prince of Portugal to first emperor of Brazil.

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Éramos Seis is a Brazilian period drama telenovela produced by SBT and originally broadcast from May 9 to December 5, 1994. Based on the 1943 novel of the same name by Maria José Dupré, it was adapted by Sílvio de Abreu and Rubens Ewald Filho, with direction by Henrique Martins and Del Rangel and general direction by Nilton Travesso. The telenovela stars Irene Ravache, Othon Bastos, Jandir Ferrari, Tarcísio Filho, Luciana Braga, and Leonardo Brício. Set in São Paulo between the 1920s and 1940s, the story follows Dona Lola, a devoted wife and mother who struggles to keep her family together despite financial hardship and personal tragedy. As her four children—Carlos, Alfredo, Isabel, and Julinho—grow into adulthood, each follows a different path shaped by love, ambition, and loss. Through decades of sacrifice and resilience, Lola witnesses the joys and sorrows of family life while enduring profound changes that ultimately leave her to reflect on a lifetime of devotion.

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Count Dracula, taking on the new identity of Vladimir, leaves Transylvania and goes to Brazil in search of his son Rafael. This vampire romance was conceived to be a potential telenovela, but only ended up running as a TV miniseries with four installments because the network that financed it went under.

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Gina attracts attention and envy. Years later, her life is shaken by the return of an old love and she discovers some schemes orchestrated by her best friend.

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