Armas Fredman

February Manifesto was Yrjö Norta's and Toivo Särkkä's Finnish movie from 1939. It is a Finnish historical drama about developing independency based on book of the writer Mika Waltari. Movie Starring Tauno Palo and Regina Linnanheimo. For it's anti-soviet thematics it was banned in Finland from 1944 to 1987.

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The rambunctious Priscilla Paukkaja breaks into the home of Foreign Ministry official Raimo Vehar and his girlfriend Marja and appoints herself the couple's new housekeeper. Tomera Priscilla controls both the finances of the Veharites and the foreign minister Hirvimaan himself.

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Young married couple, Martti and Ulla, are spending a carefree weekend at their Rauhanlehto villa. Their peace is disrupted when the in-laws and Ulla's sister Alli, come to visit.

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Eetu, a wealthy homeowner, attempts to seduce Leena Kosken. But when austere log boy Erkki meets her at midsummer dances, Leena falls in love with him instead. Jealous, Eetu turns the men of the village against Erkki and the Tukki people.

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Jaakkola, a priest with a bad memory, gets a prescription for a spa day from Dr. Viljo. Ruustinna plans to bring her daughter Elina and the local doctor together. Jaakkola finds the mail he forgot in his pocket, including an important wedding invitation. Rovasti and Ruustinna plan to stop at the wedding on the way to the spa, but things get complicated and there are enough misunderstandings in the knots of love.

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A couple move to an isolated house where – according to local legend – an ancient curse is rumoured to assail its inhabitants. Based on the novel by Väino Kataja (1914).

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Niilo, a son of a rich estate owner, is in love with a poor crofter's adopted daughter Heleena. However, on his father's orders, Niilo instead becomes engaged to Loviisa, a daughter of a wealthy landowner. When Niilo wants to call off the engagement, his proud and rejected bride begins to interfere with the lovers' relationship with the help of Penttula, who is said to be able to perform miracles.

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The story, set in the 19th century, revolves around the hot-blooded Jussi, a young farmer, and his friend Antti and their brushes with the local nimismies (sheriff) and the häjyt (badmen). The film, shot on location on the plains of Ostrobothnia, conveys a good sense of its unique landscape. Both Järviluoma and the director, Jalmari Lahdensuo were from Ostrobothnia and the film suc­cessfully expresses a feeling of the true spirit of the province.

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Fisherman Eerik Storm is in danger of losing his home and agrees to get money to be piloted by smugglers. When the customs officers surprise the smugglers, a chase and a firefight ensue, in which the customs officers are confronted with water.

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After Matti is stabbed to death at his own wedding, Eero of Ojelmiston becomes a suspect, presumed to have avenged his recently deceased wife. Eero escapes with the help of a court judge but surrenders after his mother gets into trouble. At the courthouse, the priest admits that Vieremä Jaska confessed to the crime on his deathbed. The film has survived, but without subtitles.

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In the small village of Nuottaniemi live Iisakki and his daughter Hanna. Iisakki bears a grudge against Heikki, blaming him for the death of his son in a timber rafting accident. To make things worse, Heikki's son Juhani wants to marry Hanna but she only has eyes for the lumberjack Antti.

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A man who has little compassion for his friend's and wife's toothache, soon learns how bad it can be when he gets one of his own.

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Young and innocent maid Elina is persuaded into forgetting her childhood sweetheart Uolevi, and to marry Klaus Kurki, a local nobleman with money and influence. An ideal match according to her family and the greedy parish priest, but all is not as it seems: Kurki is a vicious man, tormented by the spirit of his last wife.

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