Belén Riquelme

In 2025 Spain, a celebrated film director struggles to write the screenplay for an autofictional film set in 2004 Spain about an unsuccessful movie director turned director of commercials who suffers a panic attack that forces her to take a break by visiting the Canary Islands, where she begins work on a new film.

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María is a thirty-year-old from Madrid who is dissatisfied with her existence and, despite her efforts to make an artistic career a reality, she has no choice but to end up working in a flower shop in her neighbourhood.

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Guillem Agulló y Salvador was killed by a stab in the heart by a group of neo-Nazis on April 11, 1993. Destroyed, his parents, Guillermo and Carmen, will fight so that the death of their son is not manipulated, and is not considered the fruit of of a simple gang fight. The way, full of obstacles, threats and a dirty media war, will be about to destroy the family, who must learn to mourn the death of a child while fighting for his memory, which little by little becomes the symbol of a cause they would never have thought to lead.

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The film tells the story of an endless night with Alsa, a central character with insomnia and continuous delusions, while an impossible movie is shot behind her back. Mental illnesses, pills, the fear of the future and the present, suicide as an escape door to darkness, the mediocrity of the artist and the despair of Spain today and the obsessive search for endurance and infinity.

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Romeo and Desi love each other ... in their own way ... The irreverent Norberto Ramos' latest work is a black comedy about abuse, completely excessive like any good giallo, confit with the strange and gloomy sounds of the most bizarre and deranged synthesizers. A sort of Vangelis hangover after partying with Edgar Froese and John Carpenter at Georgio Moroder's house.

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