Ana Kutner

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“Nobody Leaves Alive” by André Ristum is shot in beautiful but also distancing black and white. Looking at the Venice line-up, this seems to be a trend this year among the maestros of cinema. The film is inspired by true events that took place in the last century in the “Colonia” hospital in Brazil. Whoever didn’t fit the standards of society, or their family’s perception of it, was locked away, tortured, and killed. There were altogether more than 60,000 victims. Hope dies last, and some of the inmates don’t give up the fight. We’re reminded of film classics such as “One Flew Over the Cookoo’s Nest” or “Alcatraz”.

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Christian and Renato are identical twins who have opposite lives: Christian grew up in an orphanage and is underemployed, struggling to survive. Renato was adopted by a rich family and had everything that money can buy. When they meet again as adults, a tragedy happens: Renato is murdered and identified as Christian who, in turn, takes the place of his brother. However, to this end, he must leave behind his identity and his great love.

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Carlos is a man doomed by restless memories, that meets with himself, in a time warp. Young Carlos faces the forgetfulness of old Carlos, who doesn't recognize his own appearance. They get a package. But the package seems odd. The knot that ties, the smell, the handwriting on the envelope: this could only be sent by his father, Ernesto, who has been dead for many years. A father who always created unusual situations. In this time warp, Carlos is split in two: one Carlos remembers and the other forgets the moments he spent with his father.

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"All Paulos in the World" is a cinematographic essay about Paulo José, one of the greatest artists in Brazil, in the year in which he turns 80 years-old.

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Documentary about the brazilian poetess Ana Cristina Cesar, icon of the Mimeógrafo Generation and "Poesia Marginal", books like A Teus Pés, her aspirations, her life e her creative proccess. Artists, friends and researches remembers the poetess.

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Disillusioned teacher Sara and forgotten poet Francisco were once married and now decide to meet again to talk about their hopes and anxieties. The former couple ends up meeting the young Penelope who changes their lives with her free way of being.

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Julia is a 35-year-old English Literature teacher struggling with depression as she tries to get her life back together again after her long, intense love affair with Antonia. Feeling totally abandoned after she and her enigmatic girlfriend broke up, Julia is thrown into a desperate, painful process. Her life and her values have been tinged with unbearable melancholy and her life's measure seems reduced to out-of-focus fragments of her memories. Her inner turmoil and conflicts hamper a process now made necessary - that of readapting to her new life. It is impossible for her to disguise her pain when she attempts to narrate emotions.

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The selfish Dr. André Luiz dies and awakes in the limbo called "Umbral". After a painful period in the gruesome swamp, he is rescued and brought in a white light to "Nosso Lar" (meaning "Our Home"). He finds a place of harmony, where people live in peace awaiting

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Juscelino Kubitschek was born in Diamantina. Rising from a humble childhood to become a respected physician, he married Sarah and began the journey that would lead him to the presidency of Brazil.

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Benjamim Zambraia is a lonely man, a famous model with a tragic past. Some time in the past, he showed some officers the exact location where the woman he loved was hiding with her guerilla lover. As a result, the two were killed. One day, he casually meets a woman who looks very much like his former love, and this fact changes his life. Could she be the daughter of his great love? Or her reincarnation?

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The synopsis was loosely inspired by an argument by Paulo José called Cidade das Formigas. It was based on what happened in the city of Formiga, in Minas Gerais, where women work for large clothing manufacturers in the country. In Formiga Real, women guarantee a large part of their families' livelihood with this work.

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O Direito de Nascer is a Brazilian telenovela produced by JPO Produções and broadcast by SBT from May 21 to October 2, 2001. Based on the Cuban radio serial El Derecho de Nacer (1940), written by Félix B. Caignet, it was adapted by Aziz Bajur, with collaboration from Jayme Camargo and Alcione Carvalho. Directed by Roberto Talma and José Paulo Vallone, the telenovela stars Guilhermina Guinle, João Vitti, Dhu Moraes, Jorge Pontual, Ana Cecília Costa, Luiz Guilherme, Elaine Cristina, and Esther Góes. Set in Havana at the beginning of the 20th century, the story follows Maria Helena, a young woman who becomes pregnant after being abandoned by her fiancé. Afraid of her powerful father's reaction, she gives birth in secret and entrusts her son to the maid Dolores. Raised away from his family, Alberto grows up to become a doctor, unaware of his true origins. Years later, the revelation of his past brings conflicts, forgiveness, and the chance for reconciliation.

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Colégio Brasil is a Brazilian children's telenovela produced by JPO Produções and broadcast by SBT from May 6 to September 20, 1996. Written by Yoya Wursch and directed by Roberto Talma and José Paulo Vallone, the telenovela was produced in partnership with JPO Produções and had 117 episodes. It stars Giuseppe Oristanio, Maria Padilha, Taumaturgo Ferreira, Patrícia de Sabrit, Paulo Nigro, Ana Kutner, Ittala Nandi, Cláudia Lira, Edwin Luisi, Afonso Nigro, and Fausto Maule. The story takes place at Colégio Brasil, a school where students and teachers experience friendships, conflicts, discoveries, and challenges of adolescence. The plot follows Nair, a strict and bitter school inspector marked by a painful past, and the lives of students who deal with issues such as friendship, relationships, teenage conflicts, sexuality, safe sex, and pregnancy. The telenovela combines drama and comedy while portraying the everyday life of young people in a school environment.

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Cabral is a writer who decides to spend his summer writing a series about love stories. It is then that he begins to look back over his life and his works. He is married to Glorinha, a woman twenty years younger than him, with whom he has a daughter, the young Samanta. Glorinha dreams of having a second child, but Cabral rejects the woman's desire, creating a stalemate between the two.

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