Barbara Horvath

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School principal Hans is about to retire, but neither he nor his wife, Rita, are happy about their newly gained free time. For the past 35 years, their marriage has followed a well-established routine, with Rita setting the pace. As far as Rita is concerned, there is no reason to change anything. In fact, she does not like change at all. However, a stroke of fate reopens old wounds and forces them to ask themselves: Are they still a couple, or two separate individuals?

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Anne is caring for her mother and endlessly assembling ballpoint pens at home. Her monotonous everyday life is only interrupted by the constant ringing of the telephone. The wrong number again. Old conflicts break out again between mother and daughter, the distance between them seems irreconcilable. Until one day the phone rings again.

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After discovering her abusive ex-stepfather is invited to her mother's 50th birthday party, Vanessa exposes his past atrocities with the help of a homemade videotape. Amidst the chaos of the family celebration, Vanessa and her estranged mother find an unexpected way to reconnect and ensure that justice is served for Vanessa's ex-stepfather.

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In three forms, we see a young woman trying to accept the present. Each experiences a different facet of loss. The first is planning her mother's funeral, the second is dealing with her brother and the death of their shared father, and the third is trying to move on to a new life. While the protagonists have to decide which garment to wear at the cremation, how to address their brother after years of distance, or what technique to use to cut spare ribs, they move through their worlds with sometimes more, sometimes less humor. And again and again the question arises whether pain can be shared.

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Fake Fiction was initially a play that was turned into a film produced by Theater Basel in 2017. Filip Markiewicz wrote the dialogues in connection with the events that took place during this period, including terrorist attacks, the European crisis, and the rise of populist movements and fake news...

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Hanna loves Yann and the letters he sends her, short, poetic films recorded with an iPhone. Yann loves Hanna, but mistrusts her. He leaves her, but does not leave her alone.

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After suffering a severe head injury on the job, criminal investigator Tommy Wehrschitz is being suspended – for his own good. In order to deal with the changes in his life he decides to go to southern Burgenland, to sell property he inherited from his estranged father. Barely arrived, Tommy is invited to see the circus, which is currently in the village, but the colorful spectacle is cut short when a flying knife misses its target and kills an audience member instead.

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Angelika Schnell is the head of homicide and living proof that chaos is just another form of order. Nevertheless, she is a brilliant investigator - even if her methods are sometimes quite unconventional: In addition to hard facts, she also allows her distinctive inner voice to apply, which often leads to incomprehensible but very important conclusions...

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The relationship of the Dutch Roman and the German Hanna - who live together in Berlin - is deadlocked. Will their relationship survive Christmas?

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Into an era seething with war and revolution, a man comes with an incredible power to heal a nation...or destroy it. Based on the true story of one of the most powerful and mysterious figures in Russian history.

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Tatort is a long-running German/Austrian/Swiss crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.

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