Antonio Zúñiga

Dalia discovers that her husband has vanished without a trace. As her life and her job as a subway driver begin to collapse, the violent indifference of her environment engulfs her in a dark tunnel that seems to lead nowhere.

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Paul, an American composer, arrives in the desert town of Real de Catorce where his father recently died. For the past ten years, Paul has been consumed with the task of composing an ending for the masterpiece of an early twentieth century musician. Being isolated from the world, he sees an opportunity to finish the symphony. However, Paul is caught up in a new mystery, the disappearance thirty years ago of a woman named Marianne.

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Three octogenarians set out on a trip in order to fulfill the dying wish of a lifelong friend, in spite of the disapproval of their families and the limitations of their advanced age. Along the way, they find themselves embroiled in a series of comedic misadventures and meet a cast of colorful characters. Their journey fundamentally alters each characters' sense of self and their place in the world. There is, indeed, life after 80.

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Omar (15) and Karina's (12) mother has a stroke during the family holidays. The siblings, drifting apart, will start a long journey through Mexico towards their grandmother's house. On the road they will face a broken and divided country. Where mistrust, resentment and violence are everywhere. Diverse characters -strangers on their own land- will lead them, in labyrinthic stages, until their final destiny.

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Alan’s daily life as a driver and assistant to a federal deputy entails enduring the anger and arrogance of his superior; sufering the contempt of the deputy’s bodyguards and, above all, cleaning up all traces of his boss’ misbehaviour. Today, however, Alan has decided that things will be different.

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A woman and her three partners-in-crime plan a revenge heist against her violent narco husband in order to get rid of him and steal his money.

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Based on a real event, where the municipal president, in order to clean the image of his people before a politician's visit, "throws" a group of mentally ill people into the desert.

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El Vago (Martinez) has recently won an old-fashioned billiards hall in a heated contest with the joint's former owner El Mexicano (Jesus Ochoa). The first order of business: El Vago enlists the aid of ambitious assistant El Perro (Luna) in shooting an instructional billiards video. Trouble soon begins to brew, however, as El Perro is repeatedly distracted from his camera duties by El Mexicano's sexy daughter La Pujara (Hidalgo). Increasingly aggressive in his attempts to transform the venerable gaming establishment into a techno-throbbing youth hot spot, El Perro later crosses the line when he uses his lens to shoot a pornographic video with willing exhibitionist La Pujara. As an impressive array of billiards champs descend upon the pool hall for a high profile tournament, El Mexicano comes into possession of the steamy sex tape and flies into a vengeful fury.

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A man who travels back to the house of his father, grandfather and backwards.

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