Marlies Heuer

Dutch filmmakers gathered to make this compilation movie, consisting of 17 segments, as a reaction to the status quo in The Netherlands after the assassination of filmmaker Theo van Gogh on november 2, 2004.

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What happens if you take the law into your own hands, start correcting the legal system on your own initiative? Hans Croiset, André van den Heuvel, Bram van der Vlugt and Kitty Courbois in their roles of aged resistance heroes do not think this is such a bad idea; in fact, it is what they already did during World War II. Back then, they formed a sworn resistance gang. The occasion for their renewed fighting spirit is the brutal robbery and murder of Marjan, one of the members of their former group. Past and present start blending. In a controlled tempo, alert to detail and acting, a story unravels that focuses on Hans Croiset in the role of Simon, a retired teacher of Dutch. He makes contact with the underworld, meeting the Slavic Goran, who starts feeling sympathy for the old man. Eventually, fate lies in Simon's hands.

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A fictional version of the events that led to the assassination of the Dutch politician Pim Fortuyn on May 6, 2002. The movie is based upon the book "The sixth of May" by Tomas Ross.

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Armin is in crisis. One fateful day he discovers he is infertile and has been throughout his life. From this he discovers his first wife, Monika, was unfaithful before she died. How else could she have the child that Armin always thought was his? His paranoia drives him to find the truth.

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Third part of a triptych by filmmaker Kees Hin about the late Frans van de Staak.

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The protagonist in the film is an actor (René van het Hof) who is acting his life. He is a nuisance, but only for those who have had enough of his play acting or who are ashamed to be around this clown. His wife breaks up with him because she just can't tolerate the man any more and he seems to accept that in an apparently matter-of-fact way. He leaves the city for a cottage in the countryside.

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The Detour is about a young woman travelling through Europe in search of herself and the truth of life. It is based on meetings between goatherd Joanna and Austrian author and playwright Thomas Bernhard. Joanna is lost after her boyfriend dumps her at a Women's Relief Centre in Rotterdam. She works in a library and visits the theatre, where she first sees a play by Thomas Bernhard. Bernhard's philosophy permeates Joanna's thoughts. When Camille invites her to visit the French Pyrenees, she accepts. On the way, she decides to visit Bernhard in Austria. She attempts to start a relationship with him and thereby finds herself.

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After losing sight of each other for 25 years, the paths of three childhood friends cross paths. It concerns successful conductor Victor Slingeland, successful writer Sander Vastenhout and general practitioner Bert Duprez. Slingeland enjoys a reputation as a womanizer. This intrigues Vastenhout who, as is often the case with authors, is without inspiration. Vastenhout sees the unraveling of Slingeland's complex personality as possible new material for a novel. With the help of Dr. Duprez, Vastenhout tries to find out about Slingeland's secret by imitating his behavior and thus challenging him.

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The Kourdic poet Ibrahim Aziz is suspected of being a member of the Kourdic Marxistic Leninistic Front and enlists the help of his lawyer Wies to receive political asylum in the Netherlands.

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The miserable adventures of Koos Tak, reporter for newspaper 'De Tijdgeest'

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Tragicomedy about two brothers who married two sisters, walking the streets of Deventer at night lamenting the fact that each should have married the other one's wife.

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The film is adapted from a play by Cyrille Offermans Lichtenberg, scenes at the dawn of a new era". Although the protagonist shares some features with the experimental physicist and writer George Christoph Lichtenberg (1742-1799), who wrote the famous Sudelbücher and numerous letters, the film does not pretend any historical accuracy with respect to the real Lichtenberg, but focuses on Offermans' hybrid [partial fictitious] personage. The result is not an interplay between fact and fiction, but a sort of view of Lichtenberg, mouthing some 19th- and 20th- century authors he couldn't have known, strictly speaking, but whose alleged fantastic formulations seem to follow from his own writings in a natural way.

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A portrait of a woman and 26 witnesses who appear to be accusing her of something but we'll never know what. We'll never even know who she is and who the witnesses are. A complex experiment about space, voice and speech.

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