Luiz de Barros

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A retrospective of Luiz de Barros's life in cinema, illustrated with photos of his first films, still silent. He talks about the creation of synchronization, a process he created to make films sound. Then, through a sequence, some scenes from his most famous films are presented, such as "E O CIRCO CHEGOU" and others.

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Clarinda is the adopted daughter of Alberto da Silva, an industrialist facing a crisis due to excess inventory. Benedito Silveira, a representative of a European firm interested in Alberto's products, flirted with Clarinda, despite being relatively old. If Clarinda's heart belonged to him, the problem of the accumulated inventory would be solved. However, Clarinda either didn't want to, or couldn't understand, Benedito's romantic intentions. She spent her time outings with Laura, a highly experienced aviator and her childhood friend. The factory's growing crisis forced the shareholders to meet frequently. Employee layoffs were inevitable. Antonio Martins was a young shareholder who spent most of his time in clubs and cabarets. Introduced to Clarinda, he began to court her, eventually declaring his love. But Clarinda thought of no other affection than that of her adoptive father.

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A farmer from the countryside goes to Rio de Janeiro with his family in search of his daughter's fiancé, who was in the Federal Capital gambling, going to cabarets and dating a ballerina. The farmer also gets involved in many adventures. In the end, he and Gouveia, the fiancé, regret their decision and return to their family.

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Film based on the book "O Gaúcho" by the writer José de Alencar.

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Ubirajara, chief of the Araguaias, is engaged to Jandyra. One day, however, he falls in love with Aracy, daughter of Itaquê, chief of the Tocantins and sister of Pojucã, his prisoner. He frees Pojucã so he can declare war on Itaquê and retrieve his daughter. Itaquê is wounded by other enemies and goes blind. The two tribes unite and elect Ubirajara as chief.

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Lost film. Based on the novel of the same name by writer José de Alencar.

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While his uncle is traveling, an irresponsible young man spends a fortune on sprees with friends and lady sweethearts, but when the creditors start pressuring for cash, he pretends to lose his memory, although not fooling his fiancée.

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Returning from a pleasant horseback ride, two lovers on their way home contemplate each other, entranced by the modesty inherent in the rigid customs they were raised in. The hero feels an irrepressible desire to come to Rio. In the capital, interested in a theater star, he heads to Buenos Aires to win her heart.

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In a small town in the countryside, the population is excited about the imminent arrival of a circus that brings excitement to the peaceful life of the city.

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A pampered girl decides to marry in a different way: buying a husband.

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Three couples, two already living in Rio; and the third, with 'the one who hates carnival', coming to visit an aunt. One of the women bets that all husbands are unfaithful. They send invitations to their husbands to the carnival ball. They find a pretext to be able to attend. They, in turn, go in disguise, just like the maid. Hence the confusion at the ball, each one dating the other's wife.

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An ordinary thief and two accomplices invade a mansion whose owners traveled to Buenos Aires. They settle there with the whole family, until the real owners return. The owner's natural son saves the thief's situation when he threatens to reveal some compromising documents.

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In a séance, Menezes' great-great-grandfather is brought back to life in present day (1936), over a century after his death at age 26. A free-spirited womanizer, he starts causing all sorts of trouble for the wealthy, respectable family of his descendants.

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A man is looking for a radio singer named "Dulcineia." For this, he goes through the biggest hassles and problems. The plot, in fact, is an excuse for the exhibition of the musical numbers of the greatest Brazilian Radio artists.

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Made in 1926, but only shown in 1932. It starred amateur actors, breaking box office records with consecutive showings for several weeks.

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At the Paulistano Club pool, Lygia tells Nilo that she liked the album "Lua Branca," recorded by the young man. He promises to visit her to perform the song in person. The visit marks the beginning of a romance between the two, which later becomes an engagement. However, Nilo is involved in the 1924 uprising in the barracks and, with the outbreak of the revolution, leaves for the front. The city of São Paulo shows the damage caused by the bombings. The rebels, wanting to avoid further sacrifices to the city, after days of fighting and victory, decide to abandon it.

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The surprising story of the scandalous Empress of Rome, Messalina.

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Zé Babão is a hillbilly who does not care about working, leads the good life of the interior and is in love with Conchita. One day, an Italian appears interested in all the banana trees of Zé Babão and, for this, decides to marry Conchita.

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Short film shown as a complement to the film "Acabaram-se os Otários".

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A hillbilly and an Italian leave the countryside, go to São Paulo and are scammed by a crook. They end up being chased by a police officer, and without a penny in their pockets, they end up returning to the countryside. It's considered a lost film, but a reconstituted version was made by researchers at the Universidade Federal Fluminense.

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Night guard Alberto, whose greatest ambition was to be a reporter, tries to clear a friend accused of a crime. With the help of his friend Ernesto, he investigates the events linked to the crime and is pursued by the real criminal. Jaime, the bandit, before dying confesses to the crime, after a plane chase in which he fell to the ground, with Ernesto in pursuit. Ernesto had moved from one plane to another, using a rope ladder and managed to stay attached to the plane's wings, saving himself.

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The documentary shows, in the form of journalistic reports, the revolution against the Federal Government in 1924, which was suppressed.

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A farmer from the countryside goes to Rio de Janeiro with his family in search of his daughter's fiancé, who was in the Federal Capital gambling, going to cabarets and dating a ballerina. The farmer also gets involved in many adventures. In the end, he and Gouveia, the fiancé, regret their decision and return to their family.

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Seeing a black knight, the young man Álvaro runs after him. During the race, the knight falls and he discovers that it is a girl. The two end up falling in love.

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Documentary that has as its climax the parade of the year commemorating the 1st Centenary of Brazil's Independence.

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Documentary that focuses on presenting the State of Rio Grande do Sul, its main cities and its people.

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Lost film. Mack Sennet-style comedy, with bathing girls.

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Film based on the book "O Gaúcho" by the writer José de Alencar.

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Ubirajara, chief of the Araguaias, is engaged to Jandyra. One day, however, he falls in love with Aracy, daughter of Itaquê, chief of the Tocantins and sister of Pojucã, his prisoner. He frees Pojucã so he can declare war on Itaquê and retrieve his daughter. Itaquê is wounded by other enemies and goes blind. The two tribes unite and elect Ubirajara as chief.

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A horse tamer is the father of a beautiful girl who is coveted by his neighbor, a rich farmer. The farmer seduces and kidnaps the poor girl. The man, desperate, goes after him. In the end, when he tries to hit the man, he ends up hitting his beloved daughter. Not knowing what to do, he starts a fire in the farmer's forest, but when he sees that the fire is taking over his property, he decides to hang himself.

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Álvaro Ramos, an incorrigible bohemian, thrown out of the boarding house where he lived for lack of payment, finds fifty thousand réis on the street. He buys a lottery ticket number 013 and wins a big prize.

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Lost film. Based on the novel of the same name by writer José de Alencar.

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