Lidiya Dorotenko

Lisa is going through a divorce: her husband found a younger woman and left her with two preschool-age boys. Just when things begin to settle down after the breakup, Lisa receives a strange call from a woman that calls herself her aunt, despite Lisa's growing up in an orphanage and never knowing her relatives. The woman tells Lisa that her bloodline is under a curse that kills all of its offspring. The only way to escape the curse is to abandon the children. Lisa thinks it's a conspiracy her ex-husband planned to get full custody, so she throws the woman out.

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Nastya Sablina is turning sixteen, and, filled with emotion, she begins to reflect on "the most important day of her life."

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Petersburg. A Selfie comprises seven novellas about the beautiful city of St. Petersburg, Russia, shot by female directors. The film tells a story of a real, living and breathing city, rather than a mythical phantasm. Each novella tells its own story about love and loneliness, luck and hope.

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A chronicle of the life of an illiterate Russian peasant woman between 1909 and 1921, focusing on her private life and major historic events in the country.

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The year is 1917. We are in the Russian countryside. It is the middle of freezing winter. A pale young, newly educated doctor arrives. Having to deal with one medical challenge after another he soon becomes the center of everyone's attention. To soothe the impressions of human suffering he turns to morphine.

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Shattering the story of a talented former boxer. He lost his memory. He does not remember what happened yesterday. He can not sleep. Each morning starts with a clean sheet for him. The powers that be decided to use it in my game. As a bargaining chip. He will understand. And revenge. In one day, he needs to catch it.

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Four present-day Russian men dig for Nazi memorabilia at a WWII battlefield. A wormhole lake sends them back to a battle in 1942 USSR.

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Vadik Volnov (Garik Kharlamov) dies on his own wedding of cannabis overdose and has to prove to God that he is worthy to enter Heaven. During his conversation with God's secretary, Vadik recalls numerous memorable moments of his earthly existence, such as getting drunk on cognac on his 8th birthday, service in the Soviet Army in Afghanistan, bandit showdowns in crime-ridden 1990s Russia, and, finally, meeting the love of his life.

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A young boy's dreams of glory and war turn into a bitter nightmare as his father's kingdom is overrun by an invading army. Lost and alone in the woods, he finds an ancient sword that promises him the ability to claim his vengeance.

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Alex is creating a databank of dreams, claming he knows how to digitise the dreamimage. It is just a self publicity ploy and Alex is soon woken up to the reality of underprivilege, corruption and state terror by an ex-convict Lubov, with whom Alex has an unlikely love affair.

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They were once a special unit of the FSB, carrying out particularly important missions. But after one unsuccessful operation - a portable nuclear charge was stolen - they were dismissed from service and narrowly avoided prison. However, all unfinished business sooner or later begins to create big problems - the "lost" charge turns out to be in the hands of bandits. And now a successful businessman, a private bodyguard and a drunken unemployed again unite in one team to return the old "debt". From the very beginning, events unfold contrary to the plan. Heroes are under the tight control of criminals, and it can only be due to betrayal...

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A sudden hero dressed in all black (including underwear) emerges in the small Russian town to fight for justice.

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Danila goes to his successful brother, Victor, in Petersburg to start a new life. Unknown to Danila, Victor is a contract killer, but is in hiding after asking for too much money to assassinate a Chechen mob boss. To avoid exposure, Victor convinces Danila to kill the boss instead.

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Ivan Mazaev finds out that some children were left behind in a sinking school, and is slowly driven mad as he tries to save them. A parable on the theme of The Last Judgment, numerous catastrophic events reveal a certain ambiguity in their origins, accompanied by the terrible suspicion that the things going on are some kind of a performance or theatrical production.

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Anya is brought up in an orphanage, she has been in the school of ballroom dancing. She falls in love with the head of school, who is much older than her. After a quarrel with him Anya throws the newly born child in the hospital and goes to the village where settles in an abandoned house. Her peer Sanya, who secretly and hopelessly in love with Anya, leaves the children's home together with her. At first, he seems to be a child, unable to take a serious and responsible decisions, but gradually Anya sees that he grows up and falls in love with him.

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This is the second installment of a three-part series of autobiographical films about the director's life. The first, which won various awards for its maker, was entitled Zamri Oumi Voskresni and was later retitled Zari, Umri, Vokresni ("Freeze-Die-Come to Life"). At the end of that film, set at the conclusion of World War II, the young Valerka was striving hard to overcome the inertia of just getting by, along with his sometime friend Galiya. In this one, he is adjusting to Galiya's death and is back in school and is living with his mother, a prostitute. After a girl at the school is found to have been gang-raped, the headmaster chooses Valerka to be one of the scapegoats, though he had nothing to do with the deed. The punishment seems mild enough, he was simply expelled from school. However, after quarrelling with his mother about the incident, he takes to the road, and discovers a society so bleak, degraded and hopeless that it is a wonder he remained alive.

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Young Jim Hawkins is caught up with the pirate Long John Silver in search of the buried treasure of the buccaneer Captain Flint, in this adaptation of the classic novel by Robert Louis Stevenson.

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