Zeng Nianping

Warriors of Virtue: The Return to Tao (set a few years after the original film) sees a new villain, Dogon, seize control of Tao, a parallel universe forming the film's major setting. On Earth, 12–year–old Ryan and his friend Chucky arrive at a martial arts competition in Beijing, whereupon they are unexpectedly taken to Tao. There, it is shown that they are to become Warriors of Virtue.

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The film charts the fortunes of two women who loved each other as sisters, but whose paths diverge when the Revolution brings an end to their old way of life in the brothel.

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After laying bare backward village mentalities in Bloody Morning, Li Shaohong turns her attention to China’s urban middle class. Cao is a photographer, married to an opera singer and with an infant son, caught in the usual professional morass of political compromise. His life starts to fall apart when he learns that his ex-wife also bore him a son some months after their divorce – and when the boy turns up looking for his father. Nothing wildly dramatic, just believable people in believable situations. If the ending seems a touch forced, this is nevertheless a sign that ‘Fifth Generation’ cinema is changing and coming to terms with up-to-date realities.

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Freely adapted from Gabriel García Márquez's Chronicle of a Death Foretold, the film follows the investigation of a local teacher's murder in a small and desperately poor rural village, the story of the crime gradually pieced together from the fragmented memories of witnesses forced to testify at an inquest. Sharing with her Fifth Generation colleagues Chen Kaige and Tian Zhuangzhuang a remarkable eye for the barren landscapes of northern China and a fascination with small-town life — especially those enduring superstitions that Communism failed to erase — director Li Shaohong also introduces several formal innovations, particularly in storytelling structure, that remain unprecedented in Chinese cinema.

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In the southwest frontiers of China there lie many luxuriant forests where live a great variety of plants and animals. Three kids of Daizu minority is told by a granny that a red elephant which is the symbol of God lives in the forest so in a summer vacation they go into the forest to look for the elephant and finally they discover the secret of the elephant.

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5th Generation student film.

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