Mireia Pérez

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Mara visits an old friend who lives in the Sierra de Irta, Vera, who did not expect this visit, is about to go to Valencia to spend the Easter holidays. When Vera leaves, Mara makes a strange and irrational decision: to occupy her friend's house for a few days.

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A group of friends in their early 40s are shocked by the death of one of them. After the funeral, they must fulfil his last wish: a peculiar game in which each of them must write down on a piece of paper something that they would like to do before they die. Each wish will be the starting point of an intense weekend in which they will live fun, unexpected and, sometimes, extreme situations. But each one will also open other doors, releasing fears, instincts, prejudices and secrets, leading them to more complex situations by confronting them with a concept that they carry as a condemnation: "adulthood".

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Roger, a college student, agrees to take in his grandfather Roger despite his bouts of senile dementia. Now there are two lost Rogers, searching for a past that seems real, unable to understand a present that seems like a lie.

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In this Spanish comedy-drama, a man befriends his wife's lover in an attempt to understand what has happened to their marriage and win her back.

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Xabi receives a phone call. Suddenly, everything are complicated.

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Valia is a young woman used to observing others as part of her work, and so reality is becoming a canvas where characters live out a kind of life. She records the same shot with a small video camera: the street in front of her apartment where there is a restaurant. Some days later, she meets Guido, the owner of the Italian restaurant. Guido is her antithesis, perfectly adapted to daily life and conscious of his own social dimension. Valia, on the other hand, lives in this two-dimensional world, separated from what is actually happening and what she observes. Valia's life changes when she discovers a small lump on her breast and she is diagnosed with breast cancer. With Guido, Valia recovers her otherness while facing her end.

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If life already feels too big for Javier, let alone death—his father’s death, in particular. Even more when, to carry out his father’s last wishes, he must face the most atrocious opposition: his mother. Clearing the unfinished business quietly may seem tempting, but the fallout from dodging it will blow up in his face when he least expects it.

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