Lucélia Santos

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Two sisters live in the same house with their husbands in bedrooms separated by a single wall. One of the sisters, Lígia, is still a virgin. Dissatisfied, she wants to dissolve the marriage and thinks about suicide. To prevent her sister’s suicide, Guida offers her own husband, Paulo, for one night.

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As a privileged teenager living in an affluent suburb of Rio de Janeiro, Jean has little to worry about beyond games, grades and girls. But as his overbearing father drags the family into debt, Jean is forced into a change of lifestyle which opens his eyes to the world beyond his 'casa grande' - not least that of the feisty, mixed-race firecracker Luiza. Cultures, classes and generations collide in this engrossing coming-of-age drama from Brazil.

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An obsessed nun is accused of setting fire to an orphanage and killing more than 50 children in the late 1960s. Some time later, the macabre past returns, bringing to light the last of the secrets.

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The true story of a working class boy who moves to the nation's financial capital at a young age and becomes one the most influential politicians in Brazilian history.

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Three people accused of murder who were pardoned by the parents of the victims and acquitted by Justice thanks to the letters psychographed by the medium Chico Xavier.

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Writer and poet Clarice Lispector investigates and develops the old question of what came first, the egg or the chicken.

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Documentary depicting what happened to the characters in the film Terra para Rose, made by the same director. Shows the life of some 1500 families of landless rural laborers who, for the first time in 1985, occupied an unproductive large landholding, the Annoni plantation in Rio Grande do Sul. After camping out for years in tents, facing down the police and negotiating with the government, the former landless laborers have managed to turn their dream into reality, and are now successful small farmers.

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Documentary that addresses, through the testimony of directors and actors, the work of Dib Lutfi, considered one of the greatest photographers of Brazilian cinema.

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"Portraits and excerpts from Brazilian films from all times. Actors, directors and images that affirm cinema."

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Dona Anja is a Brazilian telenovela produced by JPO Produções and originally broadcast by SBT from December 9, 1996, to April 26, 1997. Based on the novel of the same name by Josué Guimarães, it was adapted by Cristianne Fridman and Yoya Wursch, with general direction by Roberto Talma. The telenovela stars Lucélia Santos, Jonas Mello, Angelina Muniz, Danton Mello, Manuela Dias, Giuseppe Oristânio, Luiz Guilherme, and Sérgio Mamberti. Set in 1977 in the countryside of Rio Grande do Sul, the story follows Anja Guimarães Castilhos, a woman who breaks with the conservative traditions of her town after discovering her fiancé's betrayal. Together with Colonel Quineu, she becomes the owner of a brothel and challenges the values of local society by defending women's independence and questioning social norms. Surrounded by political conflicts, rivalries, and personal disputes, Anja fights for her freedom while facing powerful enemies.

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Malhação is a Brazilian television series for the teenage audience. The soap started in 1995, and was set in a fictional Gym Club called Malhação on Barra da Tijuca, Rio de Janeiro. Through the years the location varied slightly. Although the name of the soap remains the same, it is now set in the Múltipla Escolha High School.

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In Vitória, the middle-age piano teacher Gertrudes sublets her apartment to two younger women, the unstable Lúcia and the nurse Madalena. Gertrudes misses and daydreams her former love and has a motherhood relationship with Lúcia; Madalena has a promiscuous life, having one night stand with the most different men every day and her behavior is criticized by Gertreudes; and Lúcia is dreamer that manipulates Gertrudes and expects that the handyman Alfredo becomes her prince charming. Their conflictive relationship ends when Madalena discloses their inner feelings and secrets to each other.

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Brasileiros e Brasileiras is a Brazilian telenovela shown in some schedules SBT between November 5, 1990 and May 14, 1991. Writing for the show was done by Carlos Alberto Sofredini and Walter Avancini, who also directed it. The show was a co-production of the Miksom.

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This epic Brazilian film was based on the equally epic novel by Antonio Callado. Set between 1954 and 1964, the film's focus is the saga of Jesuit priest Nando. Fed up with civilization, he ventures deep into Amazon country to live with and work among the Xingu Indians.

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Documentary about the oppression of a group of a families of the MST, the Brazilian Landless Workers Movement, who invaded Anoni Farm, a farm in the state of Rio Grande do Sul, Brazil, in 1985, and Rose, a woman fighting for the right of owning a land and for elementary human rights, and mother of the first baby born in the camping site.

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A clumsy detective and his secretary are hired to solve the mysterious, vampiresque deaths happening at a nightclub show.

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In 1886, in the small town of Araruna, Little Missy rejects the actions of her father—the slave-owning Colonel Ferreira—alongside Rodolfo, an active abolitionist republican with whom she falls in love.

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Clara directs the rehearsals of a theatrical play about Fernando Pessoa while constantly seeking the right man and the love of his life. One of the actresses is the lesbian Ana, who interprets the poet Mário de Sá Carneiro. She is Clara's friend and confidant with whom she shares an apartment. Clara does not perceive Ana's love for her, that always helps her to recover from the disappointments. Unlike the character Sá Carneiro, poet of decadentism, nostalgia, metaphysics and vague, Ana is the pragmatic side of Clara, who often brings a disillusioned vision as if it were Fernando Pessoa himself, who may be associated with concepts of the poet's heteronyms.

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The story revolves around the conflicts within Silvana and Oliva's family—her mother and paternal grandfather—who are fighting for custody of Zeca after the child's father dies.

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The miniseries tells the story of Leninha, who marries Paulo due to a financial agreement made by her father, Dílson. Her life changes when she meets her brother-in-law, Mauricio, during a trip to her husband's farm in the interior of Rio de Janeiro. The two fall in love and become lovers. Leninha then begins to experience a great conflict: social and moral rules impose on her the behavior of a good wife, faithful and companion, but her desire for Maurício speaks louder. Consuelo, mother of Paulo and Maurício, realizes what is happening and begins to antagonize her daughter-in-law. Upon discovering the betrayal, Paulo starts to hate his brother. At the end of the plot, Leninha decides to stay with her husband, and the couple happily announces that they will have a child. Mauricio despairs, but later recovers in Regina's arms.

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Cousins ​​Charlô and Otávio once had a romance, but today they detest each other. However, fate plays a trick on them: they will receive a large inheritance, on the condition that they live together.

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The routine of a group of brazilian teenagers living in Brasília, Brazil's capital. Their aspirations, dreams and illusions presented in a context of a country that was on the final years of a dictatorship back in the 1980s.

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