Toshio Tamikado

A comic thriller directed by Tokuzo Tanaka, a first-time newcomer, based on a screenplay by Toshio Tamikado, who co-wrote "Nukiashisashi Ashi Shinobiashi." Photographed by Chikichiro Takeda of "Nurekami Kenpo." The music is by Han Takahashi of "Nukiashisashiashishininashi". Shoji Umewaka, Mieko Kondo, Daimaru Luckett and others

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When a nobleman finds a woman to be an obstacle to his growing political influence, he kills her and her cat and has their bodies immured in a wall. Shortly afterwards, a catlike demon begins to haunt the castle.

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Japan, 1701. A group of samurai become rônin after their lord is forced to commit seppuku for assaulting a court official, who will become the target of a merciless revenge.

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A remake of Kaidan Saga yashiki (1953).

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Tragicomic road movie set during the Edo period. It follows a samurai, his two servants – including spear-carrier Genpachi – and the various people they meet on their journey, including a policeman in pursuit of a thief, a young child and a woman who is to be sold into prostitution.

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First in the Nage Utasamon series

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A comedic retelling of the legendary encounter between Sasaki Kojiro and Miyamato Musashi.

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Based on the comic by Machiko Hasegawa

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The film vividly shows the misadventures of Oishi Kuranosuke and the human dramas inside the castle, which lead to the surrender of Ako Castle after seppuku by its lord Asano Takumi-no-kami and the termination of his family's power. This is the first film of the Ako Castle trilogy.

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Period comedy.

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Historical drama.

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A lighthearted musical comedy in which a tanuki detective runs amok chasing a tanuki murderer who has disguised himself as a human and fled into the bustling streets of Ginza.

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The sincere clown act performed by a master thief who infiltrates a remote island.

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Inoue was something of a rarity in the sense, that he was a Shochiku house director who seems to have worked mostly in period films, often with big stars like Hasegawa or Bando. "Sumidagawa", named after the river that runs through Tokyo, is also a period film, but thematically a modern one. All the themes that you associate with the normal Shochiku women's films set in the present day are in this film, just in a different context: love, the planning of a marriage, career, family relations and societal melancholy. There is no action or swordplay.

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