Haruyo Ichikawa

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The last fight put up by remaining forces and a special volunteer nursing corps in 1944-5.

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Two brothers, Takamaru and Kikumaru, are living with their father, Hakuraku-Ou, until one day Hakuraku-Ou is killed by "Death's-Head" Ginnosuke, a villain skilled in the art of sorcery. Hakuraku-Ou had long been seeking a Tiger Seal which, together with the Dragon Seal in his possession, would reveal the location of a huge ancestral fortune. But on the very night that the Tiger Seal was found, it was stolen by Tomomitsu, Ginnosuke's chief. When the two brothers receive the Dragon Seal from their father just before his death they determine to go to Death's-Head Castle, in order to recover the Tiger Seal.

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In the eleventh year of the Tenpō era, the Kawarazaki-za theater in Edo buzzed with excitement for a new production of "Kanjinchō" by Naritaya, featuring music by the master Kineya Rokusaburō. However, Naritaya's requests to change some of Rokusaburō's most painstakingly crafted parts of the composition angered his disciple, Shinjirō, leading to a conflict and Shinjirō's abandonment of the shamisen. One day, Shinjirō was captivated by the mysteriously beautiful dance of Oaki, a traveling performer's daughter, who seemed to be channeling her art into a form of revenge.

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Momoko and Asako are half sisters, daughters of the famous architect Tsuneo Mizuhara, who also have another half sister in Kyôto, Wakako, whom they have not had. While Asako is a sweet young lady, Momoko, the eldest, goes out with whomever she wants, thus hiding the trauma caused by seduction and abandonment during the war by young Keita Aoki. One day Keita re-enters her life.

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The film adaptation of the famous tragic love story of the young samurai Shirai Gonpachi and the beautiful courtesan Komurasaki.

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On February 4th of the 16th year of the Genroku era, Yatō Uemon no Shichi reminisces while waiting his turn for seppuku at the Mizuno residence. When news of his lord, Asano Naganori, attacking Kira Yoshinaka in the palace reached Akō, Uemon no Shichi was sixteen. The family elder, Ōishi Kuranosuke, determined to avenge, gathered allies, but Uemon no Shichi's father, Chōsuke, being sickly and considered too young, was not included. Chōsuke committed suicide.

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A young widow, made world weary by her abusive, neglectful husband, finds herself in a minor scandal when she's seen with her intense, no-nonsense childhood sweetheart.

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The story follows privileged college students who secretly work part-time at a beauty salon, amidst emotional and social struggles. It explores love, betrayal, family pressure, and the youth’s conflict between tradition and personal freedom, amid life-changing events.

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Machiko and Haruki’s drama continues. Machiko is not allowed to see Haruki. They finally meet again, but Haruki departs to Europe.

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Machiko and Haruki’s drama continues. Two meet again in Hokkaido only to be separated again.

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Machiko Ujiie and Haruki Atomiya first meet and fall in love on Ginza’s Sukiyabashi Bridge during the Great Tokyo Air Raid in March 1945. Machiko and Haruki pledge to meet again at the bridge in six months but part without asking each other’s names.

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A gripping historical drama that follows the explosive growth of Katsu Kaishu, the hero of the Meiji era, and the interesting human image of his father, Kokichi, who lived for the common people, his neighbors and his children. A film about paternal and maternal love and conjugal love in the creation of mankind, about the healing power of which laughter and tears have. The film that became the last work of the giant star Tsumasaburo Bando.

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The first film in the 1953 trilogy based on the long novel series The Great Bodhisattva Pass.

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1953 Japanese movie

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A comedy movie for salaryman.

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A silk mill worker living through a dark and twisted youth… What is chastity? A powerful work that speaks to society through the anguished expression of a woman twisted by torment.

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A story about a high school sophomore, Uzumi Keiko (Kyoko Kami), in a coastal Japanese city, Keiko’s coming-of-age story centers on her strained relationship with her mother and her entanglement in social misunderstandings at school. Her journey reflects postwar Japan’s evolving attitudes toward youth, gender, and family honor, as personal choices become public matters.

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The tale of Katakana Yonetaro aka "The Shark," a rough-and-tumble horse trader in Japan's northernmost island of Hokkaido, despite being a father and a husband he is frequently drawn to taverns.

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film directed by Tai Katô

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Japanese film.

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1951 Japanese movie. The characters of Mito Kōmon and Yaji and Kita are brought together

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In the midst of the Siege of Osaka in the Sengoku period, a thrilling tale unfolds featuring a trio of ronin who manipulate a group of spies, a mysterious woman protecting a young lord, and the overwhelming roar of the Warring States captured on the silver screen.

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