Patrizia Punzo

A single mother faces a culture of sexual harassment at her new workplace.

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Set in Rome, it is a spin-off of the series Distretto di Polizia, which aired on the same network from 2000 to 2012, reprising the character of Roberto Ardenzi, played by the protagonist Giorgio Tirabassi.

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The return of the Red Brigade in Italy, after 11 years of silence from this terrorist organization, was a traumatic event for the entire country. Especially for the families of the victims killed: professors D'Antona and Biagi, and subsequently the police superintendent Petri.

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After the shocking assassination of a labor lawyer, an Italian anti-terrorism unit races against time to stop the new incarnation of the Red Brigades from killing their next target — and strike fear at the heart of the State.

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After a fateful encounter in the summer of 1966, the lifepaths of two brothers from a middle-class Roman family diverge, intersecting with some of the most significant events of postwar Italian history in the following decades.

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The story of Padre Pio (1887-1968) from the onset of the stigmata during World War I, when he prayed that soldiers' suffering be his, until his death. The story is told by Emilia, Pio's friend, to a Vatican official reviewing Padre Pio's potential canonization. We watch local people venerate the humble Capuchin monk, we see petty jealousies within the Church almost bring him down, and we experience his decision to build a Home for the Relief of Suffering, a labor of love begun just after World War II. Emilia and her husband Dr. Sanguineti work tirelessly beside the humble but sensible Pio.

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Francesco Dellamorte is the groundskeeper at a cemetery where the dead just won’t stay dead—and it’s up to him to deal with those who come back to life with a hunger for human flesh. But Dellamorte’s job soon becomes much more complicated when he falls for an enigmatic young woman whose husband has recently died.

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This European existential drama utilizes complex symbols inspired by abstract psychological theories to explore the effects and reasons behind a young classical actor's decision to stop talking. No one knows why Massimo has vowed to stop talking. Other than speaking dialog from classical plays, Massimo refuses to say a single word. His father, a classic-literature professor believes it reflects to a disappointing love affair. His new girlfriend thinks Massimo is rebelling against his mother, a poet. A director learns of Massimo and commissions his mother to write a play about him. Though Massimo plays himself in the play, and does speak, he returns to silence when the play is finished.

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Store security guard Pietro spends his days catching shoplifters, his weekends visiting his children who are in custody of his ex-wife, and his nights thinking about new ways to flirt with the store's makeup consultant. His malaise psychosomatically manifests itself in nosebleeds, outbursts of anger, visions, etc. One day, he sees a young Gypsy girl steal something from the store and lets it slide: he can't explain why, but she caught his eye. Pietro and Pabe – that's her name – warily start to hang out, knowing each other more and more, until something begins to blossom in them. Could their shared dream for a new, more compassionate life finally be at their fingertips?

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Set in Milan in the summer of 1989 against the backdrop of the fall of the Berlin Wall, the film follows four frustrated individuals whose lives intertwine because of the loss of a planner.

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In a Gothic cathedral built on the mass grave of a Teutonic purge, an ancient discovery by the new librarian will release an unholy maelstrom of madness, violence, and demonic vengeance.

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Mr. Rorret is the owner of a cinema called "The Peeping Tom" which shows a constant stream of horror films. Rorret dates women from the audience and then kills them, taking sadistic pleasure from their expressions of terror. This film is apparently a well-filmed homage to "Peeping Tom", with nods to "Psycho" and "Strangers on a Train".

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