Fumio Moriya

Kondo, a man with a reason for returning to his hometown of Ginpei-cho, where he spent his youth, unexpectedly meets Sato, a homeless man who loves movies, and Kajiwara, the manager of a movie theater. He starts working part-time at the theater. Surrounded by the theater staff and colorful regular customers, he gradually begins to find renewal, but...

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The film revolves around three struggling actors Michio, Gunji, and Enoken, who share a house together. One day, they find a baby girl left with a letter from Michio's ex-girlfriend. They name the child "Don-chan" and embark on the journey of raising her, despite their initial confusion.

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Nana (Yura Kano), returns to her parents' house after being fired after having an affair with her boss at the large company she worked for, only to fall in love with Matsuyama (Fumio Moriya), the convenience store manager.

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Ichika, an office lady working in a department with a sexual fetish for creepy things, is very interested in her section chief, Numata, who is seen as creepy by those around him. But one day, she is invited to a drinking party and is invited out by Aoyama from the star department...

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An elite salaryman drunkenly tries to die by suicide, but is saved by a mysterious stranger who holds him captive and sexually torments him.

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Kasumi is suddenly hit by a car the night she runs away after killing her husband and her mistress. Yoichi, who was driving her car, tried to bury Kasumi, who was not moving, as instructed by her junior, Kamata, who was riding with her . was not dead. Yoichi invites Kasumi, who has nowhere to go, to her own house. From there, the strange cohabitation of a "murderer" and a "hit-and-run criminal" begins. Yoichi doesn't have a girlfriend or friends, and is always ridiculed by her juniors at work. The beautiful and free-spirited Kasumi was an angel who landed in his dull everyday life. On the other hand, Yoichi's simple kindness seemed like a faint ray of hope to Kasumi, who had fallen into an alcoholic after not getting along with her husband. Two people who depend on each other and drown in deep love. However, such a life would not last long, and ruin was creeping quietly, but surely, right next to them.

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Marie is a chubby girl who's steadily paying off her debts by working at a brothel introduced to her by a black-market lending company. One day, she meets a guy on the street by the name of Kazu. Taking an instant liking to him, she invites Kazu to come live with her. It soon becomes apparent that he doesn't seem to have a job and the allowance money he receives from her goes straight on playing around. In spite of this, he is always on hand to lend Marie an ear when she talks about her insecurities. Though Kazu is somewhat of a freeloader, she enjoys living with him but things take an unexpected turn when one of her regular clients suddenly proposes to her. Marie confides in Kazu by telling him what happened. After she wakes up next day, she discovers that he has disappeared. Several days later, she finds Kazu and accompanies him to his house. Waiting for them is Kazu's wife, Mitsuko, a beautifully slim lady and the mirror opposite of Marie.

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The girl asked, "Where is Manga Island?" Only manga artists can set foot on the island. Idle people are not allowed to enter, but Manga Island is also like a besieged city. People outside want to enter, while those inside want to come out. A few manga artists trapped on a small island, accompanied by snakes and insects, perform the horror of a deserted island, and even rush to draft day and night, pouring their emotions and desires onto paper. When it comes to brain block, I finally come up with the legend of mermaid monster Tan and dungboat, and I'm afraid of being taken by someone. Everyone was hungry, afraid of both starvation and exhaustion of inspiration. Struggling with the barren environment, but also entangled with one's own demons. Shouwu Wenxiong initially made a long film, wrote and acted by himself, cleverly transforming the desire, pain, confusion, and joy of creation into a fantasy drift of a group of cartoonists.

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Shinji Imaoka, the director of “Waiting for you,” starred Ayane Suzukawa, a popular sexy idol, and a unique sensual drama depicting the struggle of a woman whose husband was kidnapped by a giant Tsuchinoko. The couple, Ichiro and Sonoko, are attacked by a human-sized Tsuchinoko in the mountains, and only Ichiro is taken away. Sonoko rescued by Tsuchinoko Hunter Kurikoma descends alone, but Ichiro's colleague Segawa cannot believe Sonoko's story. Eventually Sonoko goes to find the giant Tsuchinoko's den again to meet Ichiro.

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8:20 A.M. Three separate groping incidents occur within the train which is packed to 170％. Kimiko, a librarian, has lived her life ignored by the people around her. Even if it means she’s getting groped, she feels happy because that means at least someone wants her. One day, Kimiko’s affair with her boss at the library is discovered by his wife. As she gets on the train in desperation, she feels someone touching her butt. Bank teller Asami is a woman of high expectations – the things she wears, the men she dates must all be top notch. However at 30 she is still single. Desperate to find someone in a hurry, she meets Nozaki, a man who owns a company in Los Angeles. She accepts his proposal, however… Policeman Ryoko Mamiya is pursuing a habitual groper nicknamed “Scorpion.” Ryoko is passionate about protecting women from despicable criminals like the Scorpion, but one day, she gets groped by the Scorpion herself…

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Anata wo matteimasu is a feature-film comedy directed by Shinji Imaoka (Underwater Love, Uncle’s Paradise, Frog Song, Lunchbox, The Woman of Shinjuku).

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Nanao 26 years old housewife, living with husband and father-in-law. The father is gentle compared to husband, but recently he seems strange. One day, she to read diary of father and knew that they were condemned.

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Shiho (Ayane Ryogawa), a nurse, gets into an argument with her boyfriend Kenji (Takuya Sakurai) about having abnormal sex, and Kenji leaves the room. Cabaret girl Tomoyo (Minami Natsuki) is on her way to work when she is approached by a homeless man and stops to see her father, Takayuki (Tadashi Naito), who left his family ten years ago, leaving them in debt; office worker Yuko (Shoko Kudo) is at a loss in a park after her boss, Kondo (Yuya Takayama), with whom she had an affair, abducts her infant son. These three women with a history of their own meet by chance and hit it off. The girls, feeling burnt out, are at Tomoyo's behest.

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A comeback film and the first in two years from Kokuei, a long-running production company specializing in erotic "pink" cinema. It uses trivial conversations in a love hotel to shine a light on the subtle differences in the emotional makeup of men and women. Its screenplay, by female filmmaker Fukai Asako, was nominated for the 5th Pink Screenplay Grand Prize. A woman in a one-piece dress (Yamagishi Yuka) and a long-haired man (Moriya Fumio) enter a love hotel and are extremely pleased with their comfortable room. They play in the bath, order food, sing karaoke, and connect physically in between. They fantasize about being able to live there permanently, but slowly grow aware of their respective personal issues.

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Let's have a psychic phenomenon on the TV staff who are on location for a psychic program in the ruins. One unmotivated, selfish, sexually harassing director was left behind, and when he noticed, he was stared at by a woman. But the woman...

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Set within the devastated city of Eight City, the Eight Rangers protect the city and go against the evil Dark Kuruseido.

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35-year-old Asuka works in a lakeside fish factory. She’s about to be married to her boss, Taki, but one day, she encounters a kappa – a water sprite found in Japanese folklore – and learns that the creature is in fact the reborn form of Aoki, an old crush who’d drowned when they were 17.

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At a plastic factory in the country, Ritsuko, an experienced worker, helps a new part-timer named Chinatsu, who is also pregnant. This stirs up painful memories for Ritsuko, who had a miscarriage when she was in a car accident several years ago.

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About 150,000 illegal entrants live in Tokyo. They are not recognised as refugees and live in poor conditions. To protect themselves, the illegals create a secret organisation. The organisation has a bank which Japanese Financial Services Agency is not involved with, a hospital that is not authorized by Japanese Ministry of Health, Labour, and Welfare and an illegals police force called "Dias Police." The only police officer in the organisation is Saki Kubozuka. His age and nationality is unknown. Saki Kubozuka does not speak much, but he has a warm heart and strong sense of justice. He takes care of the weak and tries to maintain public order.

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A widowed lumberjack's life is turned upside down when a film crew shooting a zombie movie asks for his help and increasingly starts to rely on him.

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35-year-old Asuka works in a lakeside fish factory. She’s about to be married to her boss, Taki, but one day, she encounters a kappa – a water sprite found in Japanese folklore – and learns that the creature is in fact the reborn form of Aoki, an old crush who’d drowned when they were 17.

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This surrealistic comedy follows the life of Haruo Maekawa, a young man who makes a living catching squid. Haruo is obsessed with catching a legendary giant squid rumored to live in Tokyo Bay. Haruo's uncle Takashi, fallen on hard times, comes to stay with his nephew until he can get back on his feet. Uncle Takashi is addicted to energy drinks, and seduces any woman in sight, including Haruo's girlfriend Rika. While praying at a Shintō shrine, Uncle Takashi is bitten in the scrotum by a poisonous snake and dies. The uncle is destined to spend the afterlife in Hell unless his nephew and girlfriend can rescue him from the King of Hell.

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Sex Machine tells of the affable but simple Hiroshi, who during one sweltering summer in a small, parochial town, moves in with his girlfriend, Haruka. Their lovemaking is as athletic as it is bizarre but a dark storm comes looming when Haruka's ex boyfriend comes knocking at the door.

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