Charles Requa

Previously filmed in 1930 as True to the Navy, Kenyon Nicholson's old stage farce Sailor Beware returned to the screen in 1936 as Lady Be Careful. The plot remains substantially the same, as an amorous sailor named Dynamite (Lew Ayres) bets his pals that he can "thaw" icy beauty-contest winner Billie (Mary Carlisle). What follows is a series of misunderstandings, arguments and reconciliations, all wrapped up in a happy-ever-after conclusion.

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Casino operator Johnny Lamb hires down-on-her-luck socialite Lucille Sutton as his casino hostess, in order to help her and to improve casino income. But Lamb's pals fear he may follow Lucille onto the straight-and-narrow path, which would not be good for business. So they hire Gert Malloy and Dictionary McKinney, a pair of con-artists, to manipulate Johnny back off the path of righteousness.

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1934 drama of man's inhumanity to man, starring William Farnum and Anita Louise, directed by Edwin Carewe, screenplay by Harold Sherman. This film was meant to denounce Hitler prior to US involvement in WWII

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Sergeant Carlos Olivarez (Buck Jones) becomes entangled in the machinations of an oil baron, havoc-wreaking bandits, and the femme fatale who ruined his brother.

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The King of Kings is the Greatest Story Ever Told as only Cecil B. DeMille could tell it. In 1927, working with one of the biggest budgets in Hollywood history, DeMille spun the life and Passion of Christ into a silent-era blockbuster. Featuring text drawn directly from the Bible, a cast of thousands, and the great showman’s singular cinematic bag of tricks, The King of Kings is at once spectacular and deeply reverent—part Gospel, part Technicolor epic.

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Ahmed, son of Diana and Sheik Ahmed Ben Hassan, falls in love with Yasmin, a dancing girl who fronts her father's gang of mountebanks. She and Ahmed meet secretly until one night when her father and the gang capture the son of the sheik, torture him, and hold him for ransom.

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A Poor Girl's Romance is a 1926 silent drama film directed by F. Harmon Weight.

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Silent version of the Franz Lehar operetta.

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After being educated in England, Daisy Forbes returns to China, the country of her birth, and discovers that her father has recently died and that she has become a social outcast, owing to the public revelation that the oriental nurse who raised her was actually her mother...

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