Jhiz Deocareza

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Caretakers for a kidnapped child, couple Rod ad Lucy decide to run away with the child to be raised as their own rather than let it be killed after its parents turned to the cops for help. Not equipped with any employable skills, they resort to scams and other illicit activities just to ensure that their child would live a normal life.

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Near the end of the 19th century, 35-year-old Jos Rizal turned into the Philippines' most beloved hero when he was martyred by the Spanish colonial government at Bagumbayan. He died an extraordinary man of his times: renowned novelist, poet, ophthalmologist, journalist, and linguist. But behind these achievements, there remained the story of a man every Filipino can relate and connect to. Like today's overseas Filipino, Rizal needed to leave his family to fulfill his studies and career abroad, suffering from homesickness, and enduring a long-distance relationship with the woman he loved most. He was also the best example of the Filipino who came back home and used the knowledge and skills he learned abroad to help improve the lives of his family and countrymen.

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An Indian raised in the Philippines falls in love with a Filipina on business in Mumbai. She leaves unexpectedly, and he travels back to the Philippines to find her.

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ISLANDS explores a cinematic journey of two astronauts. As they enter Earth’s atmosphere the structure transforms. The spacecraft becomes the meteor from a myth of a tribesman; it triggers an old lady’s memory of a lover from her past. As these diverse characters converge in a plane of reality, we confront a particular form of gravity we covertly feel—falling in love.

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A father who works abroad as an OFW ends up secretly playing a superhero role in a Japanese TV show.

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Bekikang is left and abandoned with a baby boy by friend, Fortunato. He loves and raises the child as his own flesh and blood. When things are going so well between Bekikang and the child, Fortunato and the mother of the child after years of absence reappear to take the child back.

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The once illustrious Lopez-Aranda family has faded. Celia, once the darling of Philippine opera, and Gaspar, a distinguished ex-congressman, lacked the shrewdness to maintain their once elegant status. Saddled with a failed marriage, a vanishing career and mounting debt, Celia sold her share of their house to Gaspar, now bedridden. She managed to stay for free in exchange for being Gaspar’s caregiver. Gaspar loves listening to Celia’s arias. This idyllic arrangement is shattered when he slips into a coma. His daughter, Raquel, comes home from the US, determined to sell the house to salvage her own economic woes abroad. This signals Celia’s impending homelessness. With only a few heirlooms to sell, she is at her wits’ end. A fervent believer of the Sto. Nino, she hopes for a miracle. She dresses up her grandson, Antony, in Sto. Nino robes to prepare him for the coming fiesta.

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