Bernard Verheyden

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Antwerp in the fifties. Robin de Hert grew up in a Catholic parochial environment; on the one hand there is his authoritarian father and the sadistic secretary of the Catholic boys technical school, on the other hand there are the 'Grieten' and the French teacher with whom Robin is getting a good band through a secret they share. If the secretary finds out about this secret, this has major implications for both the teacher and the students ...

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Den Bompa Jos Vleugels is the widower of the bomma Anna and lives with his grandson Leo. He has 2 sons, the eldest is Paul Vleugels, who married aunt Josée Clinckhamers at the beginning of the series. Later in the series, however, they divorce and Paul leaves on a world tour and continues to live in Australia.

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Gaston and Leo are active in Antwerp's motorbike brigade. But the two are demoted to simple neighbourhood cops. When they track down a dangerous woman kidnapper and his accomplice, the pair soon find themselves back in favour. Before they can complete their sleuthing, they must escape the attentions of their wives.

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Sam starts his first week as a helper at a brickyard. He got this job because his new boss is the chairman of the local football team for which he plays. He's a talented goalkeeper. There is much resemblance between Sam and Louis, a 65-year-old who is pottering through the last days before his retirement. They both react strongly to the illegal dumping practices of a firm from the city. But also their boss' hands do not seem to be entirely clean in this business. Will Sam sink into the rut and routine that Louis is rebelling against?

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In this atmospheric psychological drama by Jef van der Heyden, concert pianist Kasper Bertheim lives under psychiatric care in Geel, haunted by the memory of a woman he believes has vanished into the underworld. After witnessing a funeral, he leaves his foster home and wanders through a surreal cityscape that seems suspended between life and death. Along the way, he encounters workers, drifters, priests and other outsiders who guide him deeper into his obsessive search. Adapted from a novel by Hubert Lampo, the film blends psychological drama with magical realism, creating an ambiguous world where madness, grief and imagination merge, and where it remains uncertain whether Kasper’s visions are delusions or glimpses of another reality.

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In 1833, when the fledgling Belgian kingdom still fears a Dutch invasion, recruits were selected annually from an age cohort by a draw of lots in each locality. In this grim, then contemporary drama by the 'father of Flemish literature', Hendrik Conscience, Jan Braems, a poor and naive farmers-boy, accepts the not uncommon offer by a rich family to sell his lucky ticket (out) to their son for a hefty sum compared to the miserable labor wages at the time. Army life is even harsher then a farmhand's, especially for a Dutch-speaking an-alphabet who simply can't understand his francophone superiors, and Jan's nature is not complacent enough for military discipline even by todays standards, so he soon gets into all kinds of trouble, including gambling his capital away and a venereal disease. When his girlfriend back home goes looking for him, her life is doomed as well.

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Directed by Rik Kuypers, the 1968 documentary Lieven Gevaert, eerste arbeider chronicles the life of the Flemish industrialist, highlighting his transition from a small-scale photographic paper producer to founder of the global Agfa-Gevaert corporation. The film emphasizes Gevaert's social philosophy, his dedication to the Christian labor movement, and his pivotal role in the Flemish Movement, portraying him as both a pioneering industrialist and a social reformer.

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