Gian Pietro Calasso

A brilliant but sadistic safe-breaker; a beautiful seductress; an expert young hunter and an ace pilot with a shady past - this is the team that undercover operator Armo Shalik assembles to steal the priceless Borgia ring from millionaire Max Kahlenberg's closely guarded fortress in the remote and deadly African bush. But when Kahlenberg finds out they are coming, the gang's expedition turns into a strictly one-way safari - to slaughter.

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Lori Saint-Just, a master jeweler shattered by his wife’s death, relocates and becomes obsessed with Cona, a prostitute who first entices then rebuffs him. Driven to possess her, he robs and accidentally kills his benefactor to inherit a $30 billion fortune, gives Cona a replica necklace, and she enacts a staged murder-suicide to destroy them both while sparing him guilt.

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Madness and jealousy push a not very attractive young man to plan to kill a friend who, on the contrary, has a lot of luck with women.

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The series consisted of two dramas carefully selected by Calasso, based on Ernest Hemingway's The Short Happy Life of Francis Macomber and Other Stories (originally published in The Fifth Column and the First Forty-Nine Stories, 1938): The Undefeated and The Killers. The first was set in the Spain of bullfighters, while the second was set in the underworld of the American provinces. The sets were completely recreated in the studios of the Rai Production Center in Naples.

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Compton's first feature was the autobiographical Stranded, which she wrote, directed, starred in, self-financed and distributed. Released in 1965, the film shares the cinematic experimentation and stylish, youth-centric rebellion of the French New Wave made even more radical by its progressive portrayals of female independence and sexuality, beatnik culture, and discussions of homosexuality. Stranded follows Raina, a young American woman (played by Compton), traveling through Greece with her American lover (Gary Collins), and her French, gay, best friend (Gian Pietro Calasso). Raina partakes in several love affairs rejecting marriage offers for no other reason than she likes her life the way it is. Made just prior to the arrival of second wave feminism, Compton, as writer-director, never judges her on-screen alter-ego the way similar female characters were frequently punished in other films during this era by stigmatizing female sexuality.

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A brilliant but sadistic safe-breaker; a beautiful seductress; an expert young hunter and an ace pilot with a shady past - this is the team that undercover operator Armo Shalik assembles to steal the priceless Borgia ring from millionaire Max Kahlenberg's closely guarded fortress in the remote and deadly African bush. But when Kahlenberg finds out they are coming, the gang's expedition turns into a strictly one-way safari - to slaughter.

Open details →

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Madness and jealousy push a not very attractive young man to plan to kill a friend who, on the contrary, has a lot of luck with women.

Open details →

The series consisted of two dramas carefully selected by Calasso, based on Ernest Hemingway's The Short Happy Life of Francis Macomber and Other Stories (originally published in The Fifth Column and the First Forty-Nine Stories, 1938): The Undefeated and The Killers. The first was set in the Spain of bullfighters, while the second was set in the underworld of the American provinces. The sets were completely recreated in the studios of the Rai Production Center in Naples.

Open details →