Junpei Kusami

Sharply revealing the issue of Japanese construction industry where bid-rigging was a common practice among the giants. After working diligently for three years at a construction site, Heita unwillingly transfers to a sales department where he becomes a part of the illegal collusion -- to limit open competition and obtain high-price public works within the colluding parties. He is torn from conducting unlawful action to save his company, yet deep inside wishing to abide by the law to follow his justice. What will his answer be?

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Pinku film. A mystery surrounds a school and the investigator in charge tasks a secret teenage prostitute to solve an unsolved suicide/murder.

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When a hard-driving copywriter (Hiroyuki Sanada) discovers his comely wife (Keiko Saito) is involved in a scintillating game of strip rock-paper-scissors with some guy clad only in a pair of boxer shorts and Mickey Mouse ears, he is less than happy. When the stranger tries to make a run for it, a fight ensues between the two men, and they accidentally tumble down several flights of a concrete stairwell. One hurried ambulance ride later, the copywriter finds himself in a private teaching hospital equipped with the latest gleaming gizmos. Meanwhile, a young internist (Hiroko Yakushimaru) girds herself for her first emergency room case -- the battered copywriter. After giving a curt bow and a nervous "Good Evening," she accidentally jams a syringe into his bloody wound. Soon the absurdity of their situation, along with their medical misery, binds the two men and their blundering nurse together.

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A department manager at his company, buys a one-room apartment to have some space to himself. He signs an agreement with a young woman and has an affair with her once a week at the apartment.

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As men become weaker and women’s sexuality becomes more promiscuous, the traditional model of men as the pursuers and women as the pursued is breaking down. Women are now actively seeking one-night stands and approaching men themselves. This story follows three young women and three young men, weaving in the psychological dynamics between those who do the pursuing and those who are pursued. Despite being called the “new generation,” these young people struggle with love, friendship, and human relationships, and this work portrays their human experiences

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A high school girl, Izumi Gojo, who has been found guilty of murder, falls into the sea and disappears when running away from the police. However, a mysterious group rescues her and had her undertake training to transform her into an assassin. Years later, Izumi seeks to escape the group.

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A young woman is invited for a free stay at a seemly deserted seaside hotel during the off season. Too late she finds out that the manager likes to collect women for his “playing card” collection and she is next in the pack.

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The drama begins in August 1945, three days after the end of the Pacific war. A freight train completely jam-packed with passengers heads for Aomori from devastated Tokyo. On the train is Takahara Miki and her sister Sachi. Miki and Sachi are the daughters of a wealthy landlord living in a village in the Tsugaru area in Aomori prefecture, but they have been living in Tokyo since before the war to attend school. After seeing her village does not have a doctor, Miki is determined to become a rural doctor.

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Reiko is a high class call girl employed by a large corporation. She’ll do anything necessary to help her employer land new business, including kinky sex and humiliation, to please her high class clientele. Secretly bedding rival company executives on her own time, Reiko’s world turns upside down when a former lover comes back to her for affection. The problem is he’s married! With yet another shy employee vying for her attention, Reiko gets caught in a triple tryst that could change her future forever.

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The melodramatic story of a pink crew’s tragi-comedic adventures on location. A fictionalized adaptation of set photographer Ichiro Tsuda's 1980 book The Location (Za Rokēshon), an illustrated 229-page document about the cameraman’s experiences with pink cast and crew on the sets of several films produced in the late 1970's.

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