Diogo Dória

Gaspard, a teenager from the suburbs of Lisbon, falls into the hands of the Ogre, a man who has made a pact with the Devil. The Ogre uses the boy to attract tourists, whom he transforms into animals and then kills. Gaspard escapes with a donkey and a dog that he has grown fond of, and in an enchanted manor, he meets the spirit of Queen D. Maria I.

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The Life of Mirrors is one of the sections of the exhibition Luis Miguel Cintra - Small Theatre of the World. A commission by Serralves Foundation to Regina Guimarães and Saguenail, and constructed after an unpublished interview with Luis Miguel Cintra, this film is the result of a long and painstaking exercise of selecting and editing excerpts from films by Manoel de Oliveira in which Cintra participates as an actor. In this way, The Life of Mirrors is a reflective, retrospective essay film, which opens the Carte Blanche, thus establishing a gateway to Luis Miguel Cintra's cinematographic and cinephile career.

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Judite is a woman of faith, dedicated to her work as a sacristan and to caring for her bedridden husband. When his health worsens, she feels abandoned by both her children and her priest.

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Burma, 1917. Edward, a civil servant for the British Empire, jilts his lovestruck fiancée Molly the day she arrives to be married. As he flees into an unexpected odyssey across Asia, the free-spirited Molly-amused by his moves-follows in pursuit, embarking on a globe-trotting cat-and-mouse chase.

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The search for love and redemption... Helena is a former secretary of António Fontes Morais’s who cunningly managed to get married to her boss, thus earning the title of a trophy wife. Together, they had two children: Tomás and Camila. Their firstborn is a playboy who has been living in the United States and Camila is a spoiled young woman who spends her days spending money and on her phone. The family enjoys a lavish lifestyle, but António doesn’t go without a driver and armed security since his brother Fausto was murdered, leaving his son Miguel under the care of his aunt and uncle. Helena’s hatred for the Rocha family has grown as much as the cousins Tomás and Miguel's love for Laura. So, without realizing, the nurse sees herself in the middle of a love triangle that will undermine the harmony between the Fontes Morais and Rocha families. Still, Verónica, who is totally in love with Tomás, and Helena will resort to any means necessary in order to get rid of Laura.

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In a world where fictional writing is forbidden, a writer must secretly make the events contained within his book happen in real life before publishing it.

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The recollections of a Portuguese teacher in the present will make us follow his father, Manuel, former fighter in our colonial war and constantly tormented with those memories. He'll walk us through the depths of the physical sites that haunt him - from training barracks to the lakes and gardens of his youth and infatuation - and also to his memory's gulf - war and passion combined, entangled, in a battle that questions or howls immemorial existential doubts.

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Obsessed with questions about his past, a bankrupt, white Brazilian filmmaker undertakes an epic journey from Brazil to Mozambique and Portugal. This melancholic fable mixes animation, live-action, voice-overs, genres, and continents to explore Brazil's colonial past.

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The chronicle of a Portuguese family that owns one of the largest estates in Europe, on the south bank of the River Tagus. The Domain delves deeply into the secrets of their homestead, portraying the historical, political, economic and social life of Portugal, since the 1940's to these days.

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Alentejo, Portugal, 1950. In a desolate region, where the wind seems to speak, where misery and hunger reign over poorest, a desperate man takes his revenge on those who caused his ruin during the darkest night, unable to get honestly the bread needed to feed his family in the daylight.

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Lisbon, Portugal, 1927. The writer and journalist Fernando Pessoa accepts from his boss the commission to create an advertising slogan for the drink Coca-Louca; but conservative government authorities consider the new drink as revolutionary as it is diabolical.

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Documentary adaptation of the book "Labirinto da Saudade," a deconstruction of the Portuguese ethos from a philosophical and historical point of view, written by Eduardo Lourenço.

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In the middle of the night, Magloire is smoking a cigarette in an abandoned train station when the police shows up for an ID check. He starts running with no luggage, no future until he meets a dying man from whom he inherits a fortune. Magloire is now pursued by a gang. He becomes their hostage, but accomplice too. As he doesn’t anything to lose. Like someone who gets away with everything, someone with no expectations…

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Brazil, 18th century. The colony of Portugal endures a decline in gold production. A Portuguese minority rules over a corrupt and autocratic society. Joaquim is an efficient soldier, famous for capturing gold smugglers. While waiting for his promotion to Lieutenant, he leaves for a risky mission in search of new gold mines - the only way to buy the freedom of Blackie, a slave he is in love with. Inspired by the true story of Tiradentes, the first leader of the Brazilian revolutionary movement.

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Every night, in danger of being beheaded, Scheherazade tells King Shahryar unfinished tales to continue them the following night, hence defying his promise of murdering his new wives after their wedding night. Scheherazade tells King Shahryar her stories but these are not those in the book. As in the book, these stories are tragic and comical, with rich and poor, powerless and powerful people, filled with surprising and extraordinary events.

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Some of the chapters from Arabian Nights are adapted to a modern Portugal in this epic.

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A long-hidden, personal doc about leaving a beloved house by the late, revered Portuguese director Manoel de Oliveira.

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Don Quixote, Luís de Camões, Camilo Castelo Branco and Teixeira de Pascoaes meet in an eternal garden in the middle of a modern city and talk about life.

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A look at the art of two pairs of brothers, plastic artists: João Queiroz, Jorge Queiroz; Pedro Tropa and Francisco Tropa.

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A film about General Humberto Delgado's brutal assassination by the Portuguese fascist police in 1965.

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The short life of the Uruguayan poet Delmira Agustini is colourfully portrayed, not as a conventional biopic, but as a visual poem which evokes the turbulent life and complex personality of the literary heroine as she develops her genius for writing.

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Nuno is the son of divorced parents. He lives a nomadic existence with his father: he lost all his friends and never stays long enough anywhere to make new friends. Now Nuno has become a drug addict, he’s in hospital, in a coma struggling between life and death. His father and his father’s sister remain by his bedside. The three separately evoke requests from the past and other characters they meet also complement their current life experiences and memories. Based on the novel by António Lobo Antunes.

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The film opens on a water-skiing accident - a girl (Délie) drives a speedboat and pulls a young man (Stan). They are both challenging their own limits when a crash occurs... Stan wakes up from a coma after this serious accident, to find out that genealogists are looking for an individual whose identity corresponds to his. Instead of asking himself questions about this testamentary filiation, he subscribes for Professor Starkov's legacy, and embarks for the country of Las Estrellas... Purging odyssey where intuition and telepathy accelerates the journey in time. Dharma Guns revisits the myth of Orpheus and Eurydice fighting with the tyranny of Time-God...

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The characters from a historical piece of art come to life to discuss poignant themes such as war and world peace.

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Humberto hanged himself. Catarina, Paulo and Victor want the company where Humberto used to work for to take responsibility in his death, leading them to kidnappe the company’s director in an act of despair. Who is Humberto? What company is that? In which paths will he take us, after his death? Cinerama is an edgy, enigmatic, but not distant film that brings up genres of cinema as well as other forms of art like dance, theatre and poetry. The film reflects ways of being in life.

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A young French actress in Lisbon to shoot a movie is intrigued by a nun she sees kneeling in the chapel where she is filming.

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On a train to Algarve, a young man recounts to a fellow passenger his past relationship with an eccentric young woman.

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Ana Catarina returns from Brazil with her father and her nanny to marry a man she doesn't know and doesn't like. A terrible coincidence happens when, on the same day, the young woman becomes a widow and an orphan, a fact that leaves her heir to an incalculable fortune and coveted by all the aristocrats in the region.

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Luciano, fresh out of jail, was taken by his brother, Flórido, to serve in the home of wealthy Alfreda. He was surprised when she told him that her greatest desire was to see the Virgin Mary. Now comes this rich land owner with her sublime pretensions. Isn't it enough for her to have an Aston Martin and a Jaguar in the garage and ten different dresses per season? It was all professor Heschel's fault. Or someone else's. Anyway, to go beyond the promise is heresy. Alfreda said that she wouldn't rest until she saw the Virgin and made her some questions. Filipe Quinta, the Forger, says he has a solution. Meanwhile, Bahia, her husband, listens do music.

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There is a place of flowers where monsters and angels meet. There is a time in which angels are spellbound and destroyed in their innocence, fascinated by the magic of monsters. This film is that moment when innocence is contaminated by nightmare and an angel becomes the monster.

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In mid-September 1992, journalist Guida Fontes have to go to Luanda to cover the elections in Angola. In the meantime, she had committed herself to discovering and interviewing the poet Júlio Vera. In 1988, he wrote a series of poems in which he mysteriously anticipated the fall of the USSR. Guida has only 12 days to complete the mission.

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Having lost her place among the social elite, a widow remarries and starts a family.

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A serious young man of free spirit is forced by his surroundings to become rich at all costs. A group of blind children tries to open the eyes of the unbelievers to the Christian faith. Retired nuns who open a brothel, to pay the running costs of the convent. These rather ironic paradoxes turn this fairytale into a philosophical fable.

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