Kristóf Horváth

The story takes place on Valentine's Day in no man's land, one of the craziest days of the century, when everything is turned upside down, the turn of seemingly random events slowly connecting together.

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A theater director tries to put on a play with real underprivileged Roma people about their lives but, feeling advantage of, the actors leave the troupe to gain a new consciousness.

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Under the burning sun, beachgoers are trying to take advantage of every minute of their paid trip to a desolate beach. Among them are a mother with her grown son, two ladies and their dog, a passive-aggressive married couple, loud Italians, happy Hungarians, and an overweight, possibly dead, German lady.

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A fictional account of the 1958 attack against the Hungarian embassy in Bern. Based on a true story about the aftermath of the 1956 Hungarian revolution.

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Szabolcs plays in a German football team, as does Bernard. They are roommates, best friends, inseparable. A lost match makes him reconsider his life and he goes back to Hungary in hope for more simplicity. Yet his solitude does not last long. Soon after his arrival he meets Áron and a mutual attraction between the two boys develops when suddenly Szabolcs receives an unexpected phone call from Bernard: he has arrived to Hungary...

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aurA is a beautiful girl, a wandering soul, maybe just a ghost. She lives in a strange city, among strange people, perhaps in the same place where we live. The difference between her and others is that she is aware of it: there is no difference! Maybe she is the only one who knows this!

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Feri and Karcsi are best friends. They have been fishing and chatting together since they were kids in their tiny village somewhere near the Tisza. One day the harmony is broken: a big catfish and a new postwoman stir their emotions.

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The film follows seven days of a young gypsy, with a short excerpt from each day. Through these brief 'life' images, the film gives a dark and fragmented portrait of Kristóf, similar in style to Hungarian fiction documentaries of the 1970s and 1980s. A life at a standstill with no possibility of change is documented in the figure of the protagonist: Kristóf has neither the social background nor the education to turn his fate around.

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