Eric de Kuyper

Eric De Kuyper’s first feature film in 25 years is made up of sequences that pay tribute to a range of Hollywood genres.

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In the early 90s, a Dutch dance company, ‘t Concern, asked me to join its members in devising a show. They came to me as a filmmaker, because the aim was to come up with a dance-performance that would include moving images. The company consisted of five female dancers and one male dancer. This unusual combination led me to suggest basing the show on the archetypal 1950s housewife and her everyday chores. And setting this against the ballet music of Delibes, Čajkovskij and Glazunov. (I had an aunt who had never been a ballet dancer but who listened to ballet music as she went about doing her housework). The idea was to match each professional female dancer with a non-professional male dancer. The only surviving trace of this show remains its 16mm entr’actes, shown here under the title Echte clichés. Does not every cliché contain a grain of truth to be rediscovered?

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A homoerotic exploration of the Odyssey mixing black and white, color, and old film clips.

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A series of short vignettes set in a Berlin Mietskaserne (rental barracks for the poor), framed by Schönberg's atonal piece Pierrot Lunaire.

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Film professor Michael falls in love with one of his students and is confronted with his pupil's father, with whom he had an affair over 15 years ago. This unexpected meeting abruptly overturns the lives of all the characters. When the tutor decides to undertake a planned trip to London, not with the son but with the father, he is once again forced to choose; this time between his wife and his friend.

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After debuting in 1983 with Casta Diva, Eric de Kuyper immediately made Naughty Boys in 1984, a film that he himself described as “a sad musical comedy” in which he pays homage to the old musicals and comedies. The film is set in an unspecified time, somewhere between both World Wars in a large English country house. Six gentlemen in dinner jackets try to maintain the atmosphere of a party that has just ended. Naughty Boys was the second film De Kuyper made with friends and students, but here for the first time they were joined by a “professional” actress, Linda Polan.

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In a series of long held shots, men are observed performing simple tasks in real time, while on the soundtrack we hear excerpts from opera.

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An analysis of the work of Belgian filmmaker Chantal Akerman (1950-2015), an experimental and innovative artist, both in content and form, who has left her mark on cultural memory and on the creations of other artists.

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Knokke, Belgium. A small mundane coastal town, home to the beau-monde. To compete with Venice and Cannes, the posh casino hosts the second ‘World Festival of Film and the Arts’ in 1949, organised in part by the Royal Cinematheque of Belgium. To celebrate cinema’s 50 year existence, they put together a side program showcasing the medium in all its shapes and forms: surrealist film, absolute film, dadaist films, abstract film,… The side program would soon become a festival in its own right: ‘EXPRMNTL’, dedicated to experimental cinema, and would become a mythical gathering of the avant-garde…

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Eric De Kuyper’s first feature film in 25 years is made up of sequences that pay tribute to a range of Hollywood genres.

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Renowned architect Renaat Braem once called Belgium the ugliest country in the world. Beauty and ugliness are relative concepts, but Belgian architecture is remarkable, to say the least. The three-part documentary series Archibelge approaches Belgian architecture and spatial planning from the perspective of the identity of Belgians themselves, specifically the way we work, live, and relax. Each of these three facets is addressed in a single episode, focusing on Brussels, the countryside, and the coast respectively. The result is a compelling and visually surprising look at Belgian architecture, with testimonies from people who have strong opinions about it, such as Eric De Kuyper, Geert Van Istendael, and Hannes Coudenys. Why does Belgium look the way it does, and what should happen now?

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Nono, a Dutch kid lacking two days being thirteen, runs away from problems at home and, disguised as a girl, takes up with the world's cleverest thief, who unbeknownst to Nono, may hold the bizarre key to his true identity.

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Eric De Kuyper’s first feature film in 25 years is made up of sequences that pay tribute to a range of Hollywood genres.

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Single woman Charlotte tries to write erotic fiction despite not having any sensual experience.

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Ariane lives with Simon in his large Paris flat. Simon is obsessed with her: he wants to know everything about her, secretly follows her when she goes out, asks questions all the time, even in the most intimate moments. Ariane seems to take it all in stride, but Simon realises that she's hiding something.

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A homoerotic exploration of the Odyssey mixing black and white, color, and old film clips.

Open details →

A series of short vignettes set in a Berlin Mietskaserne (rental barracks for the poor), framed by Schönberg's atonal piece Pierrot Lunaire.

Open details →

Film professor Michael falls in love with one of his students and is confronted with his pupil's father, with whom he had an affair over 15 years ago. This unexpected meeting abruptly overturns the lives of all the characters. When the tutor decides to undertake a planned trip to London, not with the son but with the father, he is once again forced to choose; this time between his wife and his friend.

Open details →