Doraid Liddawi

A Palestinian school teacher struggles to reconcile his life-threatening commitment to political resistance with his emotional support for one of his students and the chance of a new romantic relationship with a British volunteer worker.

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Mustafa and his wife Salwa come from two Palestinian villages that are only 200 meters apart, but separated by the wall. Their unusual living situation is starting to affect their otherwise happy marriage, but the couple does what they can to make it work. Every night, Mustafa flashes a light from his balcony to wish his children on the other side a goodnight, and they signal him back. One day Mustafa gets a call that every parent dreads: his son has been in an accident. He rushes to the checkpoint where he must agonisingly wait in line only to find out there is a problem with his fingerprints and is denied entry. Desperate, Mustafa resorts to hiring a smuggler to bring him across. His once 200-meter journey becomes a 200-kilometer odyssey joined by other travellers determined to cross.

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A complicated and nonliteral Jewish film about feelings the name for which has not yet been invented. A friend of the family in which the wife died in labour loved her more than life itself, although he will never say it out loud. He gladly agrees to babysit the child for a day and brings her home, where he is suddenly faced with resentment from his relatives. This multifigured film with beautiful unspoken truths talks about widowhood of other people and oneself, about others’ children who can be dearer than the yet unborn children of one’s own, and about love that does not follow the loved one into the grave.

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Naomi, an Israeli Mossad agent, is sent to Germany to protect Mona, a Lebanese informant recovering from plastic surgery to assume her new identity. Together for two weeks in a quiet apartment in Hamburg, the relationship that develops between the two women is soon exposed to the threat of terror that is engulfing the world today. In this game of deception, beliefs are questioned, choices are made, and their fate takes a surprising turn.

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In Nazareth, an old couple lives wearily to the rhythm of the daily routine. On the other side of the border, in Ramallah, their son Tarek wishes to remain an eternal bachelor, their daughter is about to give birth while her husband lands a movie role and the grandmother loses her head... Between check-points and dreams, frivolity and politics, some want to leave, others want to stay but all have personal affairs to resolve.

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Three unmarried aristocratic Christian sisters from Ramallah have shut themselves in their villa clinging desperately to their former glory, until their orphan niece, Badia, walks into their life and turns their world upside down.

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Self Made tells the story of two women - one Israeli, the other Palestinian- who are trapped within their respective worlds. After a mix-up at a checkpoint, they find themselves living the life of the other on the opposite side of the border.

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Yacine is the veterinarian of the only zoo remaining in the Palestinian West Bank. He lives alone with his 10-year old son, Ziad. The kid has a special bond with the two giraffes in the zoo. He seems to be the only one to communicate with them. After an air raid in the region the male giraffe dies. His mate, Rita, won’t survive unless the veterinarian finds her a new companion. The only zoo that might provide this animal is located in Tel Aviv ...

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The drama, the story of three childhood friends and a young woman who are torn apart in their fight for freedom, is billed as the first fully-financed film to come out of the Palestinian cinema industry.

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Beirut, 1982: a young Palestinian refugee and an Israeli fighter pilot form a tentative bond in their attempt to make their way across war-torn Lebanon back to their home.

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A drama centered on an orphaned Palestinian girl growing up in the wake of the first Arab-Israeli war who finds herself drawn into the conflict.

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An old man, a young man, and an orange tree Two neighbours, a garden, and no words exchanged What happens when interests clash and lines are crossed?

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An examination of the creation of the state of Israel in 1948 through to the present day. A semi-biographic film, in four chapters, about a family spanning from 1948 until recent times. Combined with intimate memories of each member, the film attempts to portray the daily life of those Palestinians who remained in their land and were labelled "Israeli-Arabs," living as a minority in their own homeland.

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After Tom Hurndall is shot in the head in Gaza, his parents Anthony and Jocelyn arrive in Israel wanting to know how it could have happened. They expect sympathy and cooperation from the Israeli authorities, but are instead met with an official explanation that fails to tally with any eye-witness accounts, and a wall of silence. When an Israeli army report attempts to whitewash the incident, the Hurndalls decide the only way to establish the truth is to launch their own investigation into the shooting, a process which brings them face to face with both the Open-Fire regulations of the Israeli army in Gaza, and the soldier who pulled the trigger.

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