Dragutin Klobučar

A contemporary drama about a woman at a turning point in life, too old to start life all over, but young enough not to decide to try. After a failed marriage abroad, childless and with unfulfilled expectations, Melisa returns to Zagreb longing for her mother, brother, friends and beloved hometown.

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Lika, Austro-Hungarian Empire, the year is 1918, the last year of WWI. In a wasteland rocky area, among ravines there is a small gendarmery police station with several gendarmes headed by sergeant Cokula. The area is controlled by a group of outlaws led by Todor nicknamed "The Terrible". Sergeant Cokula and Todor did not bother each other, until bandits robbed the emperor's inspector.

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Piano player is commissioned as an officer in WW1 Austro-Hungarian army. His sensitive soul is being tormented by war atrocities. And then he is ordered to hang an old lady...

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Zlatko Kovač, a provincial professor, gets the job in the big city's school, only to find out that his red-employment is not random. Professor Toth, the man he replaced, has died under the strange circumstances. Kovac meets a variety of strange people in his school's collective, and it was not long before they came up with the new body. However, the police is unable to solve the case, but he takes the matter into his own hands and setting a trap for a murderer on a school manifestation.

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Old houses in Zagreb are destroyed in order to build new, bigger blocks. A teacher who lives in one of these houses allows a stranger to share his home with him. The stranger has a fascination with statistics, and claims he can predict crimes based on statistical analyses. When a predicted murder did not occur, the stranger is adamant that the whole town will suffer unless a balance is achieved - and he leaves.

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Two friends try to tear out their lives from the clutches of idle. An existential study of ordinary lives led by two alienated urban white collar workers, Accidental Life was the only feature film of Ante Peterlić, Croatian film theorist and film critic. The film received mediocre reviews and went largely unnoticed after its release, but has been reevaluated decades later as one of the best Croatian films ever made.

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