James Au

Adapted from a sensational real-life case in 2013, the intricate story begins when a young man partners with his friend to murder and dismember his parents. Pleading not guilty, the defense attorneys soon turn on each other, as the defendants play the devil and idiot game. Meanwhile, heated debates emerge inside the jury room, where nine jurors grapple with the truth.

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Cheng (Andy CHOI), who goes to college in Boston, returns to the muggy Guangzhou on his final summer break. To his dismay, his maternal grandfather has died but no one in the family, including his mother (Crystal LEE), is willing to talk about it or their feelings. His elder sister Yam (Isabelle CHAN), locks herself every day in her room and smokes. ​His father (James AU) is always busy on the phone to take bets from sports gamblers. The family of four will soon move to a new place, but a shadow of estrangement looms above them. Getting drenched in sweat, sometimes by rain, Cheng discovers a melancholy reality, both old and new, in a city he calls home.

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When you are concerned with the needed, you have to understand what they really suffer. Lok-yan is a Form Five student. She is under great pressure of studying. She always stays at home alone and has meals in convenience store. Lam Hong is homeless. One day, they come across each other in the convenience store. Lok-yan is too young for purchasing alcoholic beverage. With the assistance of Lam Hong, Lok-yan could finally enjoy her first taste of beer. They become friends. However, Lok-yan finds out that she could hardly understand the difficulties which Lam Hong is facing.

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To save the Hong Kong Police Force's Banshee Squad from becoming defunct, the struggling new squad members seek the help of former officers Amy (Sandra Ng), now a divorced mom with a young kid, and May (Kara Hui), now partially mentally-unstable, to help them with their training regiment, lead by Madame Yang (Cynthia Khan). Their police skills are put to the test when they are ordered to nab a band of brutal thugs in the city.

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A gangster and a broker change jobs.

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Herman Yau turns his eye on the struggles of immigrants from Mainland China in this neorealist drama, which depicts the plight of a woman forced into prostitution after her husband becomes unemployed, leading to an unflinching story about the problem of domestic violence among families living in poverty.

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Clara Law's debut feature deals with her common theme of emigration as two people, man and woman, from separate couples, have to room together while their spouses are in America to finalize the Canadian citizenship process.

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