Yevhen Holubenko

In VGIK, she was a student of the workshop of Sergei Gerasimov and Tamara Makarova, and watched Godard's "Last Breath" and thought, nothing more is needed. Everything is already there. But, in the end, without her, without her 22 films, the history of world cinema would be incomplete. In our country, her name has become one of the undisputed geniuses-Tarkovsky, Parajanov, Herman, Sokurov. The brilliant Kira Muratova looks at a person with irony, as if from a distance and from above, as if at a funny puppet theater, but her gaze is full of sympathy. It divides artists into two categories: preachers and gamblers. Of course, he considers himself one of the latter. Chance is her muse. Improvisation is a feature of the method. And what is life but improvisation? In contrast to Rene Clair with his phrase " my film is ready. It remains only to remove it", goes to the set, opening up to life, the game of chance.

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This celebrated director's "exquisite cruelty" appears front and center when the death of a stage actor turns a theatrical drama into a real one. Two in One's two parts, "Stagehands" and "Woman of a Lifetime," celebrate the psychological richness that lurks just beneath the surface of banal reality - if murderous stagehands, lascivious fathers and vengeful daughters can be described as banal.

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The movie examines the lives of the not-so-fortunate dregs of society through absurdist comedy. The unfortunates of the title are mentally challenged people, some of whom could be termed insane - or merely inane.

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A man goes to see his former schoolmate working at a boiler house and persuades him to burn in the furnace the corpse of his communal flat neighbor whom he has just murdered after a quarrel. An orphaned girl gets a job in the archives of the maternity home to find out the identity of her mother who abandoned her years earlier. She finds her, befriends her and takes the first opportunity to throw her into the sea. An old intellectual tries to explain to the neighbor’s five-year-old daughter “all the abomination of her lumpen existence”. The girl feeling hurt for her mother decides to poison the old man with arsenic.

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This celebrated director's "exquisite cruelty" appears front and center when the death of a stage actor turns a theatrical drama into a real one. Two in One's two parts, "Stagehands" and "Woman of a Lifetime," celebrate the psychological richness that lurks just beneath the surface of banal reality - if murderous stagehands, lascivious fathers and vengeful daughters can be described as banal.

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A strange man intervenes between ex-spouses on a matter directly related to a large sum of money one of them had secured after selling a piece of property.

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A young piano tuner befriends two rich old-ladies, and plots, with the help of his girlfriend, to betray their trust and steal from them.

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The film is based on A. P. Chekhov’s play “Tatiana Repina” and short story “Difficult People”. At his wedding, the groom is horrified to see among the church crowd his former mistress who had recently committed suicide.

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The movie examines the lives of the not-so-fortunate dregs of society through absurdist comedy. The unfortunates of the title are mentally challenged people, some of whom could be termed insane - or merely inane.

Open details →