Marcos Moreno

Anthology film of classics police stories written and directed by Marcos Moreno

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A story based on true events about the life of an 18-year-old girl, Yuli, who, because she does not look at the right man, Rene, will live a nightmare full of action and pain.

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Gambao, a motorcycle taxi driver, and his partner Diana, an entrepreneurial woman who sells clothes from her home. They both live a quiet life until Stefany, a friend from Diana's youth, becomes obsessed with love and desire for her. Diana and Gambao's happiness awakens their hatred and unleashes a war. Gambao is dragged into a life he never thought he would live just to defend his dignity as a man and protect the love of his life.

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Armando, a 50 year man, seeks young men in Caracas and pays them just for company. One day he meets Elder, a 17 years boy that is the leader of a criminal gang, and that meeting changes their lives forever.

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Two parallel stories about people trapped in illogical endless spaces: two brothers and a detective locked on an infinite staircase, and a family locked on an infinite road... for over 35 years.

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Two sides of the same country: a chaotic and violent city contrasting against a natural paradise where the oldest mountains on the planet can be found. Two main characters that find each other at a crucial moment. Two fearless journeys, one that begins as a childlike adventure and ends up on the other side of the country and a one-way journey, free and determined. The same destiny will inevitably bond a woman with her grandson. Without knowing it they are part of an unbreakable family circle that deeply unites them. Second opportunities will arise while individual freedom of choice will become imposing. Everything comes together to tell us: there is only one destiny, the one you choose for yourself.

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The Blue Apple Tree, is a Venezuelan film starring Diego, a city boy about 11 years, marked by serious emotional deprivation, which is forced to spend a holiday with his grandfather Francis (Miguel Angel Landa), who barely knows him, on a small farm in the mountains of the Venezuelan Andes.

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ETERNAL ASHES tells the story of a mother, Ana and her daughter, Elena. Although they are separated, in the space and time they remain united forever. The people and the millenarian culture of Yanomami are the framework of this story about the unbreakable bonds of filiations. After an accident in the furious flow of the mythical Orinoco River, in the fifties, Ana was considered dead. Elena as an adult and facing the negligible possibility that her mother is alive decides to leave to the Amazon to search her. ETERNAL ASHES is a story of filiations, poetry, wisdom and especially of humanity.

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TAITA BOVES chronicles a thirst for revenge that devastated a country. It tells the true story of Jose Tomás Boves, a cruel man who became a legend during the Venezuelan War of Independence, the most violent in the Americas. He went from seafarer to pirate, horse smuggler to prosperous merchant, prisoner to military chief. Spanish by birth, he spearheaded a grass roots troop of slaves, mulattoes, Indians and mestizos that crushed Simón Bolívar and his patriot army. Respectfully referred to as "Taita" by them, he fought for the underprivileged and the poorest of the poor, and curtailed three centuries of order in this colonial region. This film is about his passions and power, his loves and misadventures, and a bloody saga that rocked Venezuela.

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A village on the Venezuelan coast, a place of fishermen and big haciendas, Aquiles Vargas, a white aristocrat in somewhat reduced circumstances, fights with Cruz Guaregua, a humble black fisherwoman, and mother of his only son, a half-caste 'mestizo'.

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A young peasant farmer has a feud with a heartless landowner which results in the landowner killing the peasant's cattle which result in the peasant killing the landowner which for the man goes in to hiding for more than 40 years, hounded by the murdered landowner's son obsessed with finding his father's killer.

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Shortly before the celebration of the Festival, the leader of the brotherhood of Devils dancing appears dead. Milton Ventura, police and brother of the deceased, returns to the village, after 30 years of absence, to clarify the case. Confronting the interests that oppose him and the demons of their past, Milton discovers that his brother's death involves a painful expose truth.

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The religious film, based on a Christian conception, was directed and produced by Rhoda Torres, who stars in the story as "Mía Magdalena," a young woman who lived in the midst of a serious family conflict, marked by gender violence and abuse, which forced her to run away from home with her nine-year-old sister. Along the way, which they had to navigate in the capital, Mía found herself immersed in prostitution in order to get ahead. But an event, an extreme experience that almost ended her life, allowed her to change course and take the path of salvation, even helping others overcome adverse situations.

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It tells the story of Néstor, a young businessman who manages to conquer the dream of having his own perfume brand. What Néstor never imagined was that this would drag him and his family into a nightmare. Since everything in life is linked, as if it were a movie, your salvation may lie in the past.

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Between love and duty lies the life of Juana Crespo's daughter, Diana, who sighs with hope and indecision in the face of the advances of Gustavo, the leader of a criminal gang with whom she falls in love, and David, a detective who, through his delicate attentions, gradually wins her affection and consideration. Although Gustavo remains in her heart, Diana decides to marry David; however, shortly before the wedding, she breaks off the engagement to honor his feelings. However, her greatest fear materializes: she becomes pregnant with David's child, and her dreams of success are now at risk. Diana must decide between forming a single-parent family in a now more open society, without the prejudices and accusations her mother, Juana Crespo, endured when she decided to become a single mother, or succumb to Gustavo's insistence and trust that the love he professes for her is true.

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