Carlos Heitor Cony

Follows the story of Opinião, a theatre group created in 1964 during the early Brazilian dictatorship period to oppose the government through artistic performances. Considered the first left-wing response to the dictatorship, the group gathered now famous Brazilian artists such as Nara Leão, Maria Bethânia, João do Vale and Millôr Fernandes.

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A celebration of the centenary of the writer, journalist and democracy activist Antonio Callado. The documentary describes the life story and works of this writer who always sought to understand Brazil. In the early days, he believed in the myth of a country focused on its origins, on the Indians and the fight for freedom. Afterwards, he recognized that he had lived a useless passion and became disenchanted. But his work has the characteristics of a continuous account of the struggles of the common man, in search of love and a better life.

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From a screening of "Antes, o Verão" (1968) in the Cinematheque of the Museum of Modern Artes of Rio de Janeiro, in 2005, "Reencontro com o Cinema" follows the rediscovery of the life and works of filmmaker Gerson Tavares, who hadn't worked with cinema in 30 years.

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João Goulart (known as Jango) had been democratically elected president of Brazil, but was expelled from office after the coup of April 1, 1964. After that, Jango lived in exile in Argentina, where he died in 1976. The circumstances of his death in the neighboring country were not well explained today. His body was buried immediately after his death, raising the suspicions of premeditated murder. This documentary brings the issue back to the fore and tries to publicly clarify some obscure facts of the history of Brazil.

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A record of the career and immense contribution of journalist and writer Mario Filho to the development of football in Brazil. Through a poetic and innovative approach, his columns captured the collective passion for the "British sport."

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The story of Domitila de Castro Canto e Melo, the Marquise of Santos, the most famous of the mistresses of Dom Pedro I, Emperor of Brazil.

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In São Paulo, a businessman wants to rehabilitate street children, called "trombinhas", through a social project. After being discouraged by the police, he seeks help from the coach of the Santos Futebol Clube youth team.

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Four thieves enter a house and terrorize a family.

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Guia de Filmes indicates: "melodrama addressing the massification of large urban centers and the contradictions of consumer society and advertising. It is the first independent production by the firm of Vera Fischer and Perry Sales, and also, the first film directed by Englishman Michael Sarne in Brazil; however, he retired before completion and the film was finished by Perry Salles, marking his directorial debut ".

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