Ali Maghsoudi Nezhad

Three lonely people, each looking for love in their own ways. This is hard enough in any big city – never mind in Tehran, where individual freedoms can’t be taken for granted. In a sexy voice on the telephone, an overweight receptionist seduces men who wouldn’t look twice at her real ‘me’. A former bodybuilding champion now earns a living as a personal trainer. When he develops feelings for a promising young sportsman as a client; he drops everything else; even a very promising acting job for a well-known French director. A singer at religious funerals is dumped by his fiancée. He tries to find new purpose in life by retraining as a singer at weddings and parties. That’s a lot more attractive to women, his friend assures him.

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It depicts apocalypse concentrating on the last days of a family's catastrophic life in a prevalent winter (nuclear winter) in Iran in 2012. The notions of void and terror are dominant in the film. (The nuclear catastrophe or winter is not specifically mentioned in the short film because of the hard political situation in Iran. However, its implications exist throughout the film like their imprisonment in their claustrophobic place.) Basically, the figures are indifferent in their hard circumstances and are not able to communicate with each other.

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