Asha Posley

Prince Jahangir loves the slave girl Anarkali, which creates a serious conflict between Prince Jahangir and his father, Mughal emperor Akbar.

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The Urdu film Sardar (1957) was directed by M.S. Dar. A story about love, hatred, revenge, politics, and conflicts between the two tribes of Sandal's and Gondal's.

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Murad (1957) is a lost Pakistani film not much is known about this film however we do know that it was a Musical Romance it had a hit song Ho chukka intezar sonay dey,Aey dil-e-beqarar sonay dey Sung by Iqbal Bano,written by Qateel Shifai and music by Safdar Hussain

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A sweeping retelling of the Layla-Majnun legend, where romance deepens into obsession, longing, and tragedy.

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A young village boy, Malik, falls in love with Zeeno, a modern Punjabi girl from a Westernized family. A village bully, Zuba, also likes Zeeno and creates apprehension in Zeeno and her family about Malik's relationship with a resident in his home, this leads to significant conflicts among Malik, the villagers, Zeeno, and her family.

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Childhood friends Nimmi and Saleem are separated because Saleem's mother does not approve of Nimmi's parentage. When Saleem returns for Nimmi after his mother's death, new complications keep the young lovers apart.

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A poor servant and his wife agree to give their son to the childless woman of the wealthy family he serves. However, their sacrifice brings them only suffering and injustice in return.

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A Pakistani Punjabi-language film directed by Luqman, starring Musarrat Nazir, Santosh, Asha Poslay, and Nazar.

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Sassi faces hardships and difficulties while seeking his beloved husband, who was separated from her by the rivals.

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A Pakistani Urdu-language social film directed by Luqman, starring Shammi, Santosh, and Asha Poslay.

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Film starring Swaran Lata.

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The year 1947 saw the independence of Pakistan. During this time, the Indian film industry was segregated and the only film production centre left in Pakistan was at Lahore. With the industry reeling in its infancy, it was hard to work on film productions that had been initiated before the independence as many of the working filmmakers and actors had left for or stayed back in India.

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