Andrés Varela

This is the story of a group of women who come together to create a play about maternal instinct, abortion, and social norms.

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In an early September morning in Maastricht, the Netherlands, one of the neurologists entered the emergency room to report that Lucía had suffered several strokes. For fifteen days of excruciating headaches and vomiting, she was neglected by a deficient healthcare system that kept sending her home with doses of acetaminophen, until one morning Lucía stopped recognizing her surroundings. The left side of her body, as well as her vision, stopped functioning. Miraculously, she managed to survive. After several back-and-forth visits, she received a one-in-a-million diagnosis: Reversible Cerebral Vasoconstriction Syndrome.

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The life and work of French puppeteer Philippe Genty are marked by the power of his visual poetry. His childhood traumas and dreams led him to become one of today's greatest exponents of theater and visual arts. At 83, he finds himself in his studio in a Brittany forest, where he inhabits both his hells and his paradises. This journey begins when Philippe opens the doors to that world for us.

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Mario Benedetti and Luz López met when they were teenagers, he became a writer and she became a public servant. Together they shared life, exile, failures, success, friends and love. Sixty years and eighty books later, Luz suffers from Alzheimer's, forgets all of her past, and finally she forgets Mario just before she died. The film reconstructs this memory with an eye set on the author and the love that bound them together.

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The unexpected victory over Uruguay in the World Cup Brazil 1950 continues to have social and political ramifications for both countries.

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The Silva family is pioneer and a role model within the community; it shows values and the goal to not let the candombe tradition fade away. Not only do they have an internal hierarchy, but also in his neighbourhood, Waldemar “Cachila” Silva is a respected leader. Cachila decide to pass on his legacy to his sons Matias and Wellington, who should now lead the family business, afro descendants playing candombe, a drum rhythm for the carnival contest and keep the privilege place obtained by the family. Patriarchy, hierarchy and cultural traditions are the concepts that drive this documentary about the life of a man of African descent and a dysfunctional family trying to perpetuate its power, which is crucial for the future of a culture.

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In an early September morning in Maastricht, the Netherlands, one of the neurologists entered the emergency room to report that Lucía had suffered several strokes. For fifteen days of excruciating headaches and vomiting, she was neglected by a deficient healthcare system that kept sending her home with doses of acetaminophen, until one morning Lucía stopped recognizing her surroundings. The left side of her body, as well as her vision, stopped functioning. Miraculously, she managed to survive. After several back-and-forth visits, she received a one-in-a-million diagnosis: Reversible Cerebral Vasoconstriction Syndrome.

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Mario Benedetti and Luz López met when they were teenagers, he became a writer and she became a public servant. Together they shared life, exile, failures, success, friends and love. Sixty years and eighty books later, Luz suffers from Alzheimer's, forgets all of her past, and finally she forgets Mario just before she died. The film reconstructs this memory with an eye set on the author and the love that bound them together.

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1924: a group of men, amateur footballers of diverse professions and humble origins, set out on a journey towards the greatest adventure of their lives. They depart from Uruguay for Europe to disembark in Paris in its "Crazy Years" where, against all odds, Olympic glory and the amazement of the whole world awaited them. This feat would be the first of others to come in 1928 and 1930.

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The film provides a look at the 1980 Mundialito, an international friendly soccer tournament organized by the Uruguayan Soccer Association, which brought together the World Cup-winning national teams and the Netherlands, and was organized in Uruguay during an unconventional political situation.

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The Silva family is pioneer and a role model within the community; it shows values and the goal to not let the candombe tradition fade away. Not only do they have an internal hierarchy, but also in his neighbourhood, Waldemar “Cachila” Silva is a respected leader. Cachila decide to pass on his legacy to his sons Matias and Wellington, who should now lead the family business, afro descendants playing candombe, a drum rhythm for the carnival contest and keep the privilege place obtained by the family. Patriarchy, hierarchy and cultural traditions are the concepts that drive this documentary about the life of a man of African descent and a dysfunctional family trying to perpetuate its power, which is crucial for the future of a culture.

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