José Luis Guerín

In a peripheral neighbourhood, where the rural and urban worlds meet, the houses of the first migrants who arrived after the post-war period coexist with the new blocks of the dormitory city, where the latest wave of migration is concentrated. This humble corner is now an authentic global village. Good Valley Stories is a sum of constructs, of social, generational and identity, urban and ecological conflicts, but it is also a calm and humanistic look at today’s world.

Open details →

Guerin notes the first references for his next feature film, Historias del buen valle (2025), with an 8mm camera with which he walks through the Vallbona neighborhood.

Open details →

A Ryokan, by José Luis Guerin to complete the #YoMeQuedoEnCasa cycle. After twenty-one clips over three months, we close the cycle with a jewel that this Embassy is proud to have commissioned. (Embajada de España en Japón)

Open details →

A poetic approach to the island of Lanzarote.

Open details →

The last, and previously unreleased, filmed letters exchanged between Jonas Mekas, from his home in Brooklyn, and José Luis Guerin, from his apartment at the Escuela de Cine de Cuba.

Open details →

On returning from class, a teacher is questioned by his wife, who distrusts his pedagogic project: an “Academy of the Muses” inspired by classical references, which is supposed to contribute to regenerating the world through poetry. The controversial project triggers a series of situations dominated by words and desire.

Open details →

In Saint-Louis Cathedral, at La Rochelle, in a chapel filled with merchant marine ex-votos, there’s a painting that witnesses the tragedy of The Saphir in 1741. This schooner was becalmed for days and days in inter-tropical waters, with 271 slaves and 30 crew members on board. This painting is like a secret door in a Cathedral that opens on to the great History…

Open details →

Open details →

Sardinia 2017. The starting point for the film is one of the most loved lands in the Mediterranean, using it to enter into the world of cinema. Ten international masters of cinema explain Fiorenzo Serra's images, one of the greatest post-war Italian documentary makers. His masterpiece, "The last punch of Earth", will be analyzed and debated, a film which examined Italian change and European reflection.

Open details →

The last, and previously unreleased, filmed letters exchanged between Jonas Mekas, from his home in Brooklyn, and José Luis Guerin, from his apartment at the Escuela de Cine de Cuba.

Open details →

A series of video letters between José Luis Guerín and Jonas Mekas.

Open details →

Filmmaker José Luis Guerin documents his experience during a year of traveling as a guest of film festivals to present his previous film. What emerges is a wonderfully humane and sincere portrayal of the people that he meets when he goes off the beaten track in some of the world's major cities.

Open details →

The short film is like a journal page of film making. On making a film (in 1966) in Barcelona. On assembling together surviving fragments of the film, but not as a vestige of something for ever lost, but rather an occasion for making a new film of all sorts of fragments: images in Barcelona (in 2008/9) that echo images of the older film; images of making films (Hanoun's own, Boris Lehman's; other friends'); images of a storm in Biarritz; fragments of conversations...

Open details →

José Luis Guerín's great short film from 1986.

Open details →

In a peripheral neighbourhood, where the rural and urban worlds meet, the houses of the first migrants who arrived after the post-war period coexist with the new blocks of the dormitory city, where the latest wave of migration is concentrated. This humble corner is now an authentic global village. Good Valley Stories is a sum of constructs, of social, generational and identity, urban and ecological conflicts, but it is also a calm and humanistic look at today’s world.

Open details →

A poetic approach to the island of Lanzarote.

Open details →

On returning from class, a teacher is questioned by his wife, who distrusts his pedagogic project: an “Academy of the Muses” inspired by classical references, which is supposed to contribute to regenerating the world through poetry. The controversial project triggers a series of situations dominated by words and desire.

Open details →

A medium-length film that takes the central place in the video installation "The Lady of Corinth". In both the medium-length film and the installation, Guerin delves into the relationship between cinema and painting based on Pliny the Elder's account of the invention of painting.

Open details →

This remarkable companion piece to In the City of Sylvia offers a compendium of images recorded by Guerín in Strasbourg while searching for the traces of a (fictional?) brief encounter some years earlier with a young woman named Sylvia.

Open details →