Věra Uzelacová

Jan Wiener is a young Czech Jew struggling to survive at the outset of Nazi occupation during World War II.

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Julie is a woman who seemingly has everything. A handsome husband, teenage daughter and a thriving, undemanding job as a translator and now even a new dream house ... But she also has a secret that is slowly changing her idyllic life...

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The story is based on Operation Stone, during which State Security agents deliberately misled citizens of the Czechoslovak Republic who were attempting to leave the country illegally by creating fake borders and fake border patrols and interrogation teams from American, German, and French authorities. During interrogations, State Security officers convinced detainees that they had actually crossed the state border of our republic and obtained information from unsuspecting people, which was then used in criminal proceedings.

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Folklore collectors and con artists, Jake and Will Grimm, travel from village to village pretending to protect townsfolk from enchanted creatures and performing exorcisms. However, they are put to the test when they encounter a real magical curse in a haunted forest with real magical beings, requiring genuine courage.

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After a fictitious marriage with a Russian emigrant, Cellisten Louka, a Czech man, must suddenly take responsibility for her son. However, it’s not long before the communication barrier is broken between the two new family members.

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Tereza lives and works in Prague. She meets a handsome man, Tommie, speaking in a language incomprehensible to her. It seems that he is the manager of the Finnish ice hockey team. A love story starts to blossom. When the coach of the Czech ice hockey team tries to use Tereza to retrieve information about the strategy of the Finnish team, Tommie leaves Tereza. Will Tereza be able to clear up this misunderstanding?

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In the mid-eighties, screenwriter and director Jaroslav Balík tried to give voice to the problems of an ambitious young woman who decides to get back to work after a few years spent on maternity leave. NFA.CZ

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An old man is wandering round a badly signposted and as yet mostly under construction Prague housing estate looking for the high rise block into which he is supposed to be moving with his daughter's family. The old granddad from the countryside likes chatting, nothing escapes his eyes and he wants to give everyone a helping hand.

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Inženýrská odysea is a Czechoslovak/Czech TV series about three young students and their lives.

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Tou former boxers meet in the ring again after years for a re-run of an old match. The old loser currently works as a factory executive and he is unwilling to reconcile with his old defeat. He challenges the old winner, whose job in a garage puts him on the opposite end ofthe career ladder. The match is a battle fought between two men who stand for two different attitudes to life. The confrontation results in the revelation that the winner is not always the one whose arm is raised by the referee after the last round.

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Sarcastic comedy about the Czechoslovakia of the seventies. A young gynaecologist can't figure out whether to get serious with a young nurse or to stay casual with his married lover. Things get complicated when both women don't want to play his game anymore.

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Sixteen-year-old students of a grammar school are supposed to write essays on "Love". The class best student Andrea (Jaroslava Schallerová) writes about a patriotic love to a country as she has no experience with a partner love. She has been living alone with her divorced pretty mother Eva (Milena Dvorská), a dentist, for many years. Recently, however, Eva met her former school-days love at a graduates' party, nowadays a famous hockey goalkeeper Brukner (Frantisek Velecký). Also his marriage fell apart; he leaves the national team and decides to leave Prague for his home town and to share flat with Eva. He takes with him his son Petr (Oldrich Kaiser), in Andrea's age, who gets his last chance to finish a grammar school in the town.

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The actress, who is starring in a successful theatre production, is offered a big film role by an Italian director. She decides to leave her current certainties behind and throw herself into the whirlwind of a tempting opportunity, only she doesn't count on the fact that not every expectation will actually come true as she had ideally hoped...

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This drama with a criminal plot is a study of the intricately intertwined relationships of four people whose lives have been interrupted by the violent death of a loved one. The story begins almost classically: when a visitor rings the doorbell of a prominent scientist's villa, there is an explosion. The owner is found poisoned by gas in the demolished room. Everything suggests that he committed suicide. But then a major twist comes and the seemingly obvious suicide becomes a well thought out and carefully prepared crime...

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The protagonist (Rudolf Hrusinsky) is a dull, fat, shy government clerk indulging in voyuerism and ego fantasies. In love with another clerk (Kveta Fiolova), he is urged on in his pursuit by a commiserate executive. The story is told in a flashback sequence as the cuckolded Hrusinsky attempts suicide by gassing himself in his bathtub. The "Murder" of the title is not a murder as such, rather the murder that Hrusinsky remembers planning upon discovering his wife's unfaithfulness with his supposed friend and advisor. Both plots failing in his mind, he loses himself in fantastic reveries of his funeral and of hypocritical mourners. ' Deciding (perhaps) that this is not the way out either, he gives up the attempt and imagines a life of reconciliation and eventual affluence.

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A successful art historian who has trouble telling people difficult truths, finds himself in an inescapable situation when a small lie quickly gets out of hand.

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A young man living in a strictly run boarding house secretly brings a girl of loose morals into his room at night, who is nevertheless well-groomed and takes great advantage of her situation. For the heart of the comedy lies in the problem of how to get rid of a difficult girl in the morning.

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In a Prague shop, an assistant has been carrying on an affair with the dishonest, married manager. An emotionally repressed auditor with domestic problems of his own uncovers serious stock discrepancies. A test of loyalties and a questioning of values concludes in tragedy.

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In her first feature, Věra Chytilová uses a combination of documentary and fiction film techniques to tell two stories in counterpoint. The first follows Olympic champion gymnast Eva Bosáková, who contemplates retirement as she undergoes a gruelling training schedule; the second, a housewife who is unappreciated and ignored by her husband.

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The young Marta has made a break in her medical education to fully invest in her career as a model. We follow her for a day in her life, almost completely without hearing her voice. It is seldom that Marta gets the space to speak, instead she is mostly subject to the voice of others.

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The parents of twins Petr and Pavel are leaving for Afghanistan to build a dam. They entrust their offspring to their uncle Podlipný in Gottwaldov. The boys soon make friends with their new classmates. They are a little envious of their uncle, the pilot, because almost the entire class is interested in airplanes and attends a model-making club. Here, under the guidance of instructor Dáša, they build a model of an OK 12 airplane, with which they want to participate in a competition. The children assume that both Prague boys are also good at model-making. Petr and Pavel are ashamed to admit that they know nothing about this activity. To save their reputation, they decide to secretly learn it themselves.

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The story of a poor, disintegrating family of a mother Fišerová and her three children. It is set in the 1890s - a time when the poor working classes did not yet have the right to vote or a permanent eight-hour working day.

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We learn that the greatest virtue of socialist competition is collective cooperation. This is what the young, physically fit assembler refuses to understand. He suspects his co-workers of overlooking his merits out of jealousy. And it takes him a long time to understand that the individual alone can do nothing, that only the collective has the necessary strength - and therefore the truth.

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The conflicts in one pilot's fractured marriage come to a head just as Soviet jets are introduced to international airliners. Naive psychological drama is embraced here with naive admiration for the most advanced aviation technology.

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