Táňa Fischerová

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The film portrays the final days of the most famous Czech authoress, Božena Němcová, who in the mid-19th century dared to live a life free of social constraints.

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The main character, a forty-year-old doctor, tries to cope with situations that life throws at her as a successful dentist, but a less successful mother, lover, and ex-wife. The heroine's relationship with her daughter, lover, mother, and ex-husband is portrayed very convincingly and without the slightest idealization, reflecting the ambiguity and controversy of the contemporary female condition. Although the author accumulates in his novel and television script almost all the paradoxes of today's self-employed woman in the heroine, nevertheless (or precisely because of this) her story reflects the experience of most contemporary women. Especially those who place high demands on themselves and others, which, however, can rarely be met one hundred percent. And if it turns out that we owe the greatest debt to our own daughter, then it is no surprise that everything starts to change completely...

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Based on an autobiographical novella by Ivan Olbracht, the film tells the story of Hanele Safarová, who grows up just after the First World War in a little Ruthenian schtetl which, in true Hassidic fashion, awaits the arrival of the Messiah. But Hanele decides to follow the Zionists instead. She moves to the city to prepare for her departure to the Promised Land, where she meets a successful businessman named Ivo Karadzic, who has renounced Judaism to become a free-thinker. Their love for each other doesn’t only drive Hanele’s parents to distraction, it also threatens to destroy the entire community in the schetl.

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The play S úsměvem idiota (With the Smile of an Idiot) by the duo Vodňanský-Skoumal was composed for the Činoherní klub theater and premiered on May 19, 1969. It was performed with great success until 1973, when administrative measures prevented the duo V+S from performing. The play was never recorded in its entirety. This was only achieved thirty years later, when the duo returned to the Činoherní klub with the play S úsměvem idiota. The recording is a selection of the best works by the successful songwriting duo. We remember the songs "Aristocrat," "Marshals," "At the Opera in La Scala," "Grizzly," and others, as well as their original style of humor, on the sad occasion of the death of composer, pianist, and occasional lyricist Petr Skoumal.

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The story of a young woman takes place at the end of the war in an apartment belonging to a Jewish owner who was forced to leave for a concentration camp. The young woman is waiting for her lover, a tall German officer who promised to take care of her and take her with him. An offer of rescue arrives, but it is only an attempt to lure her into handing over the jewelry that the Jewish owner of the apartment had entrusted to her for safekeeping. The woman finally understands the moral abyss and the hopelessness of the situation in which she finds herself...

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The theatre director encounters the disinterest and irresponsibility of the acting troupe, whose members are scheming and looking for side income. The tired and sick artist wants to finish his work at any cost.

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At the beginning was the Slovak television series Lekár umierajúceho czasu (Doctor of Dying Time), dedicated to the Rudolphine-era scientist Jan Jesenius. He ended up on the scaffold along with other gentlemen after losing the anti-Habsburg uprising. When director Miloslav Luther conceived the idea of making an abridged version of the footage for cinema, he had to not only rebuild the storyline but also dub it into Czech. However, the result was only an illustrative puzzle, describing the various stages of the hero's turbulent life.

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The common theme of the short story film is the famous duels between two important historical figures: Pushkin and Casanova. Pushkin's tragic duel, which ended his life prematurely, is portrayed in connection with the creation of his short story "The Dirty Shot", while Casanova's story is conceived in a rather ironic and humorous way. The point is that the famous seducer never actually seduced, on the contrary, all his life he was in a constant battle with female seductions.

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The hero of the story is a forty-something intellectual, a sensitive composer of classical music. His exclusive profession, his work, which is actually incomprehensible to those around him, and his deep inner passion set him apart from the conformist milieu. Therefore, he tries to search for the "lark's silence" - a new strength, purity, truth, essence and roots of Czechism. However, on his return from the oppressive, alienated big city to his native village, to his former home, to nature, a deep disillusionment awaits him: he discovers that the once idyllic village has lost not only its face, but also any manifestation of spiritual life in its foolish attempt to resemble the city.

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Princess Julia doesn't want to marry an old prince Hubert so she runs away from home. She meets two old magicians and join the circus, where she meets lovely Franta Kuldan and evil devil performer.

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The film tells the exciting life of the great Czech composer Leos Janácek (1854-1928), also known by the thick silver hair that crowned his head and his strong character, which could overcome the adversities of fate.

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Let's go to the kingdom, where a ball is being held, where the most beautiful prince is to get engaged to the richest princess. But he only thinks about himself, and she only thinks about what she owns. However, at the engagement party, the irresistible dancer Juanita appears, flatters the prince, and the two flee the castle together. But before that, the prince sends the Wise Man to prison for creating a statue of him out of stone instead of gold. The Wise Man's daughter decides to ask the prince for her father's freedom. The Wise Man brings the prince's statue to life so that it can rule for him. And the two meet...

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The dramatic story of Karel Svozil, an aging professor of art history, tells of love and old age, illness, death and the worries of everyday life with a humorous touch. A diagnosis of a cancerous tumour unexpectedly interferes with the life of the wise and sophisticated man and his love affair with the much younger Alena, leading him to contemplate suicide. However, the gloomy thoughts are soon replaced by feverish activity, with which Professor Svozil tries to make the most of his remaining time. He finishes his book, marries his mistress, and openly speaks out against his superior. However, an accident radically changes the whole situation.

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This distinctive documentary portrait of Prague extolls the beauty, significance and spirit of the ancient city adopting modern way of life. The form and content of the film share a common underlining principle. The author doesn't simply list out the sequence of events, but rather approaches them in a broader context of their historic implications and circumstances. The content of the film covers a large period from the pagan times to these days. The facts are grouped under several general headings (paganry, the spread of Christianity, renaissance, baroq and modern times) with allusions to the modern life of Prague and Praguers that has its roots in those times.

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Getting out of prison doesn't mean being free. After the bloody suppression of the Prague Revolution in 1848, one of its participants, the writer František Vinický, spent eight years in prison. Returning to Prague in 1857, he tries to make contact with his former friends. The main one is his former comrade-in-arms Antoš. Of course, the man's steps also lead him to his former love Ida, who has been married to the councillor Mayer for several years. Vinicky is followed at practically every turn by the secret police, who will not allow him to get a decent job, let alone publish his new book. Police Councillor Berger makes it clear to the writer that a lot could be arranged if Vinicky would commit to cooperating...

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Series about the life of Renaissance anatomist, scholar and politic Johannes Jessenius. Already legendary series today, was produced by Czechoslovak Television Bratislava, directed by Slovak director Miroslav Luther in the first half of 80's in Barrandov Studios in Prague. The story and screenplay of the series wrote Czech writer Vladimír Körner. Five-episodes epic historical narration is a biographical story of distinguished Renaissance scholar, anatomist and politic of Slovak origin, Johannes Jessenius (Ján Jesenský, 1566–1621). It displays his life from the first studies and successes. In 1594 he became professor of surgery and anatomy on Wittenberg University, which he had attended years before. From that moment, his life went through social and personal wins and losses, to the sad end on the Prague Old Town Square gallows, among 27 noblemen, knights and burgenses, after lose Bohemian Revolt in 1621. His destiny was coupled with key events of Czech history in the break of 16th and 17th century, when Renaissance and European humanism slowly fade out.

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After their young daughter dies suddenly from a viral infection, Marie and Petr struggle to cope with the silence and emptiness left in their apartment. The couple drifts apart as Marie sinks into deep isolation while Petr attempts to distract himself through work and social interactions. Eventually, they decide to try for another child in an effort to move forward and rebuild their fractured relationship.

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At the center of the crime story is the very large Kremp family, living in the family villa with other relatives and a subtenant. The parents had four adult children, two sons and two daughters, one of whom recently died. The investigation focuses on the recent death of their son Jan. The young man was considered the family "fool", whom no one except his mother liked, because he played various mischievous tricks on everyone. However, his death, as Captain Exner investigates, was not an unfortunate accident, but a murder. Who could have been interested in his death? Was the murderer someone from the immediate family? Captain Exner is looking for a motive...

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After returning home from the army, Vasek (Ladislav Potmesil) has married Bozka (Eva Trejtnarová) and the couple now live at her parents' house. Vasek is unhappy both with his work and with sharing the house with Bozka's parents. He and his friend Ruda (Oldrich Vlach) decide to take a temporary job in Ostrava for a year. Bozka is against this, but Vasek gets his way. Mining is hard work but Vasek gradually adapts to it. He gets homesick from time to time and wants to go back, but his pride always wins out. Once he really does travel back to see Bozka, but he doesn't find her at home.

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Young script-writer Frantisek (Petr Cepek) is hired to write a film script based on the successful novel Looking Back. He meets with the novel's female author, a University professor and writer named Olga Machová (Jirina Trebická), approximately ten-years-older than him. In the beginning, they do not understand each other at all. Frantisek is a skeptic experiencing a moral crisis, unsatisfied with both his work and his private life - he lives separated from his wife and has no deeper feelings for his numerous lovers. He even gets drunk from time to time and breaks the public peace. Olga is lonesome, too, but considers her life fulfilled.

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A gifted poet checks into a Gothic hotel in hopes of meeting the woman with whom he has long been enamored. He is surrounded by a variety of offbeat characters like the hefty homosexual cook, shadowy clerks, snooty waiters, and valets prone to violence. He finally meets the woman of his dreams only to lose her and ultimately meet with tragedy.

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