Ferruccio Castronuovo

Andrea, Maurizio and Sergio are professional idlers, lazy, indolent and full of inventiveness. Maurizio is engaged to the policewoman Anna, of whom he is extremely jealous, Sergio still lives with his mother and Andrea is tyrannized by his wife and his brother-in-law, a former boxer. When a crew arrives in town to shoot a commercial, Andrea and Sergio meet two actresses; in the meantime, Maurizio is dumped by Anna. The three spend a large sum of money on a scratch card to travel to Sardinia in search of the actresses in the commercial.

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This 1980 on-set documentary features an extensive look behind the scenes of the film.

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Ferruccio Castronuovo was the only authorized eye, between 1976 and 1986, to film the brilliant Italian filmmaker Federico Fellini (1920-1993) in his personal and creative intimacy, to capture the gears of his great circus, his fantastic lies and his crazy inventions.

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Splendor is the name of an old movie theater managed by Jordan, who inherited it from his father. The theater is in decay and only generates debts and trouble, but Jordan gets aid in his almost Quixotian quest from projectionist Luigi and ushurette Chantale.

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Funny events of the clients who spend their summer holidays at the Hotel Internazionale in San Benedetto del Tronto.

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"Remove your legs from the windshield" - Alberto, an engineer over forty years old, on his return from an inspection, a nineteen-year-old Parisian student called Sylvie is looking for a ride. Even though the girl reminds him of her daughter Francesca's age, Alberto decides to accompany her to Rome, with the secret hope of being able to derive an adventure from her.

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The film documents the trade union battle of the workers of the Apollon printing house in Rome, occupied for a few months after the management decided to fire all the personnel and sell the land on which the factory was standing. In the form of a docu-fiction, the events of the long occupation are reconstructed, which began on June 4, 1967 and ended in December 1968. The workers play themselves and various other roles, but they are also co-authors of the film, which is not a simple chronicle of events, but an analytical reading of the reality of the factory, the story of the conquest of instruments of struggle and democracy, with the indication of strategies of attack on the bosses' power. The narrative voice of Gian Maria Volonté gives continuity to the story and comments on the events.

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