Vladislav Lantratov

In the past, Soviet prima ballerina and now world-renowned choreographer Ruta Myers returns to the country after almost 40 years to stage a performance at the country's main ballet theater. Ruta is forced to rebuild relationships with friends and enemies, who have become key people in the Russian ballet over the past time, but most importantly — with the artistic director of the theater Andrei Pronin and his family. They were once a couple, and now old feelings and old resentments flare up with renewed vigor. A lot of money, ambitions, and a career are at stake — Ruta, despite all her efforts, finds herself in the epicenter of passions and intrigues very far from the world of art.

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A feature-length documentary film dedicated to the life of the modern Bolshoi Theatre.

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The Bolshoi presents the famous star-crossed lovers from Shakespeare’s most tragic love story set to Prokofiev’s cinematic score.

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For one evening, the Bolshoi takes on a new challenge with audacity in The Cage by Jerome Robbins, Harald Lander’s Études and Alexei Ratmansky’s Russian Seasons.

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Traveling through Egypt in the 19th century, a Englishman falls asleep inside a pyramid and travels back in time to the days of the pharaohs, where he immediately falls in love with the daughter of the ruler.

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Lucien, a young composer, sets out to conquer the Parisian scene in search of glory. His success soon blinds him, and he betrays his friends and his love. Lost Illusions is a new ballet created in Moscow in 2011 by Alexei Ratmansky with dramaturgical advice from Guillaume Gallienne. This stylised adaptation of Honoré de Balzac’s novel features thwarted love, ambition, and disillusionment, with 19th century Paris as its backdrop.

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George Balanchine's jewel-themed triptych, strikingly choreographed to the music of Faure, Stravinsky and Tchaikovsky. This three act masterpiece is renowned as the world's first full-length abstract ballet. The Russian-born co-founder of the New York City Ballet, Balanchine was inspired by the artistry of jewellery designer Claude Arpels to create a trio of distinct movements revealing the essence of each precious stone. Each part also evokes three different cities: Paris, New York and St. Petersburg. 'Emeralds' was conceived as a tribute to the French romantic school, with music by Gabriel Faure. The fiery and energetic 'Rubies' taps into the rich tradition of Broadway musicals, with music by Stravinsky. 'Diamonds' honours the grandeur of Imperial Russia and the Maryinsky Theater, choreographed to the music of Tchaikovsky. With its jewel-like costumes, this is a celebration of the influences on the choreographer who was described as the father of American ballet.

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The Bolshoi’s grandiose epic Spartacus recounts the story of a Roman slave’s fight for freedom. With its famous Khachaturian score, since the 1960s it has been considered one of the greatest ballets in the Bolshoi repertoire. The choreography by Yuri Grigorovich fills the Bolshoi stage with dynamic scenes of tension and conflict, and gives full expression to the virility and strength for which Russia’s male dancers are renowned.

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When the beautiful dancer Nikiya and the warrior Solor meet in secret, they swear eternal mutual fidelity. However, the High Brahmin, who is also in love with Nikiya, overhears them. He rushes to reveal their secret to the Rajah, who has decided that Solor will marry his beloved daughter Gamzatti. Recorded live, January 2013.

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At the castle of Countess Sybil de Daurice, Raymonda is celebrating her birthday. She is also about to bid farewell to her fiancé, knight Jean de Brienne, who is going on a crusade. At night Raymonda falls asleep and dreams that she is taken to a magical garden where she is reunited with her fiancé. Suddenly, Jean de Brienne disappears and an Arab sheik takes his place and declares his passion for her. When she wakes, Raymonda discovers with horror that her nightmare has become reality… Live performance 24 Jun 2012

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La Esmeralda is a ballet in three acts and five scenes, inspired by the novel Notre-Dame de Paris by Victor Hugo, originally choreographed by Jules Perrot to music by Cesare Pugni, with sets by William Grieve and costumes by Mme. Copère.

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Learning that Albrecht, her beloved, is in fact a nobleman engaged to be married to a princess, the naive peasant girl Giselle dies. The Queen of the Wilis—the spirits of deceased young virgins—decides that Albrecht should follow Giselle to the grave, and condemns him to dance until he dies of exhaustion. But Giselle’s spirit dances with him and saves him. With music by Adolphe Adam and a libretto by Théophile Gautier and Jules-Henri Vernoy de Saint-Georges, the ballet touches on the great romantic themes: local colour, a pastoral love affair doomed to end in tragedy, a plunge into fantasy and redemption through the power of love.

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