Elio Copini

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2020, Brazil is ruled by a military crentecracy in alliance with the great agribusiness industry and the armament industry. Free thinking has become a major barrier to the Brazilian government. Anarchists, teachers, artists, small organic farmers, independent publishers and freethinkers have become the new Witches of the 21st Century and are the main targets of this crusade against wisdom. Thus, the Brazilian government created small groups of catechists who visit infidels who dare to think freely, with the mission of purifying their souls.

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It's a film about the world today, about the need for a revolution, an uprising of the masses against the exploiters, so that the financial system can be completely rethought. It's an anarchist vision of the chaos we need for this change to occur (because anarchism is not mess, it's mutual support and solidarity). Of course, in 4 minutes there's no way to theorize about something so complex, but given the inequalities of today we have to do something, even if it's a short 4-minute short that, perhaps, awakens the inner revolutionary of those who watch (or not ).

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A short tale about violence, filled with zombies, blood and guts.

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A Cor que Caiu do Espaço (2016) is freely based on the text "The Color Out of Space" by H.P. Lovecraft. Filmed as if it were a delirious nightmare, Color that Fell from Space is a short with independent production of Baiestorf and Silvia Prado that integrated the collective long "13 Stories Strangers". Experimentalism.

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In this anthology of horror episodes, 13 bizarre stories are told by independent film directors of Southern Brazil. Between ghosts, serial killers and demons, they conduct their strange, very strange stories.

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Zombies, beautiful dead girls, newly-dead and a wide variety of colorful and slimy undead invade the West of Santa Catarina, Brazil. Guts roll while "yerba mate" Cronenberg is consumed by the farmers. But the zombies aren't the biggest problem when all the humans are sadistic and selfish.

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"The dead's passion" is an animated short-photonovela, telling the origin of the character "Zumboa", a potential innocent victim (and a fan of horror films) who, attacked by disgusting and lustful undead out of an old cemetery, turns into a much more lethal creature ... A very alive, dominating and seductive dead.

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Project consisting of four short films, partially filmed. Scenes from one of these short films were included in the feature film Zombio 2.

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A gore story about a girl who learns to use sharp machetes to avenge the death of her beloved murdered by religious fanatics.

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A believer, when reading the bible, feels the power of God entering his body, and fights against the Holy Ghost in the holy battle of metalanguage.

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The Gunslinger Nobody refuses to suck a bull's cock in Colonel Bajon's zoophilia movie, and a musical hunt begins.

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A complex children's fable about world domination with homage to classic black and white horror films and monsters.

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A couple in crisis is about the Brazilian middle class.

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Sinners of a rural community having his flesh melted as an atonement for his Christian offenses. A revolutionary army of two people feuding with hordes of rotting zombies, and a mad scientist philosopher that builds a mummy of Christ to control the world.

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The Vegetable Monster survived the shot fired at the end of Part 1. Wounded, he is saved by a shy veterinarian who is abused by the rude colonists of southern Brazil, and who will use the alien plant creature as an instrument of revenge.

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Canibal Filmes and Bulhorgia Produções proudly present the most faithful and realistic version, released so far, about what goes on in the mind of the accursed filmmaker Petter Baiestorf. With direction and script by Baiestorf himself and editing by Gurcius Gewdner, the film shows in a clear and objective way the entire trajectory of life, ideology and passions experienced by Santa Catarina. With a soundtrack of impact and moments of joy and anguish, entirely taken from the incredible vinyl collection of Gurcius Gewdner, Palhaço Triste has already been considered the best film of the tireless Canibal Filmes, in 2005

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Cuban crisis analyzed from the perspective of a decadent filmmaker and his hot neighbor arrived in poetic-philosophical interludes. One of the first films to imply the mastery of the collectivist identity of Timóteo Pinto. Petter Baiestorf's homage to all film festivals in Brazil in the true story of Coffin Souza and his miserable life full of disappointments and, at times, some almost joyful joys.

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A bunch of drunks at a party. Video poetry.

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A punk scientist formed the formula of the deadly drink that transforms drunks into hallucinated zombies and awakens the fury of Little Red Riding Hood's grandmother and her afternoon tea buddies, who armed and dangerous decide to get revenge.

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In the future, metanoia erupts from the filth of the world. The monstrous primate that roars out of the mud, imposes itself before the erratic and alienated human being, molding its violence against the cathodic domain.

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Short inspired by the dramas of George Kuchar, it starred Elio Copini, Everson Schütz and Coffin Souza. Despite being an extremely homemade production and made with friends in a moment of supreme fun, it shows what director Petter Baiestorf thinks about religions and their fanatical followers.

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Radical experimentalism of anti-cinema metalanguage that wants to experience sensations. It was filmed with a bunch of people who wanted to have a party, but that we at Canibal Filmes tested them to see who was good at interpreting.

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A gang of criminals is taken by surprise by colonists contaminated by a drug (tested by the government) that unleashes their murderous instincts.

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