Tomáš Pavlíček

Jiří Markovic thought capturing Ladislav Hojer would be the defining case of his career. He was wrong. As communist Czechoslovakia prepares for the 1985 Spartakiad, an unpredictable serial killer terrorizes Prague. Under intense pressure from state authorities, Markovic and his team race against time to stop a murderer the entire country fears, testing the limits of justice, politics, and morality.

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The story begins at the moment when the parents of twelve-year-old Nikca and six-year-old Tomas leave for the weekend, and the children have their apartment to themselves for the very first time. And without supervision! Nikca decides to put her little brother away in his room and invite her friend Gabča over, planning to order pizza, watch a horror movie on video, and just have fun. But watching a forbidden scary film is not meant for them.

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One kingdom, three princesses and their dangerous journey to save their homeland.

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Croatia. A holiday destination for hundreds of thousands of Czech and Slovak tourists, who come here for the sea, mountains, monuments, entertainment, and relaxation. Because even in a holiday paradise, sometimes things go wrong. And sometimes there's murder... The story of the series takes place on the island of Hvar, where a central pair of Czech-Slovak detectives helps to solve crimes involving Czech and Slovak tourists. Michal and Ivana are like fire and water. While he is a funny, sarcastic detective from the "old school," she is a free-spirited, temperamental woman. Together, they must restore the disrupted harmony of the sunny island. The mixed local police force gets to investigate even the most serious crimes. The rule is clear. A Czech body, a Czech chief investigator. And vice versa.

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Jirka and Aneta are a young couple who enjoy the routine of their quiet relationship and are in no hurry to make big decisions in life. One night in their inherited flat, the doorbell rings and standing at the door is Jirka’s mother Valerie. An initially brief call turns into a never-ending visit from an intense and caustic diva whose presence fundamentally disrupts the couple’s privacy. Certainties are shaken, boundaries broken.

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When nostalgia makes her rethink the sale of her family cottage, a woman cajoles her husband and loved ones into one last getaway.

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A tale about a carpenter's apprentice who falls in love with a seductive and hungry beauty on a bus.

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Our hero is 25-year-old Štěpán – a nice enough guy but a bit of a waster who doesn’t have a clue what to do with himself. At the call centre where he works, he is jolted out of his lethargy when he takes a call from the mysterious and seemingly level-headed Marie. This playful flick revolves around young protagonists full of insecurities who are struggling to break out of the crushing stereotypical mould. And although Štěpán might not know exactly which path to take in life, the mere decision to put one foot in front of the other indicates a certain degree of progress. In its chosen stylisation the film opts for bizarre condensation and, in places, ventures into absurd poetics; even so, it reveals great understanding for its characters’ faltering moves.

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A short story film presenting four micro-stories of Prague residents and visitors: Panorama, The Lawyer, The Ordinary Timetable, The Secret of the Monument.

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Three young actresses go to the Karlovy Vary Film Festival together. The successful Adéla will present her new film. The burnt-out Ema goes to support Adéla. And carefree Soňa just wants to enjoy movies and parties. But the days at the festival don't go as expected and the three women's friendships and careers are put to the test. Can they still manage to outwardly act like they're happy and at ease? Šimon Holý's comedy shows the harsh truths about the film industry and the acting profession. It describes authenticity as a goal that is hard to achieve.

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Jirka and Aneta are a young couple who enjoy the routine of their quiet relationship and are in no hurry to make big decisions in life. One night in their inherited flat, the doorbell rings and standing at the door is Jirka’s mother Valerie. An initially brief call turns into a never-ending visit from an intense and caustic diva whose presence fundamentally disrupts the couple’s privacy. Certainties are shaken, boundaries broken.

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A primary school teacher with an inferiority complex about her weight, a bank clerk who suddenly develops a strange rash around her eyes, an aging owner of a 24-hour deli in an unhappy marriage, a lonely man living in the woods and strangers' cottages. They can continue to survive with their problems, hide them, and not deal with them. Or they can fight it and, at the cost of scars and wounds, improve their lives.

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When nostalgia makes her rethink the sale of her family cottage, a woman cajoles her husband and loved ones into one last getaway.

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Our hero is 25-year-old Štěpán – a nice enough guy but a bit of a waster who doesn’t have a clue what to do with himself. At the call centre where he works, he is jolted out of his lethargy when he takes a call from the mysterious and seemingly level-headed Marie. This playful flick revolves around young protagonists full of insecurities who are struggling to break out of the crushing stereotypical mould. And although Štěpán might not know exactly which path to take in life, the mere decision to put one foot in front of the other indicates a certain degree of progress. In its chosen stylisation the film opts for bizarre condensation and, in places, ventures into absurd poetics; even so, it reveals great understanding for its characters’ faltering moves.

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