Bita Farrahi

Mehrjui: The Forty-Year Report dives into the artistic world of Iranian director Dariush Mehrjui. The film offers critical interpretations of his works from cinema experts, enriched with personal anecdotes from his peers.

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Bita (Hatami), a successful lawyer specializing in championing the cause of women’s rights in divorce cases, is blind to the trouble brewing in her own marriage. A snatch of gossip and a problem client with an unwanted pregnancy unexpectedly bring Bita’s problems home. (Gene Siskel Film Center)

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The story is about faith and religious believes.

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The film is about Amir and Mehraneh, a married couple who can’t stand the sight of each other. Their marriage three years ago was a mistake, and their hellish life together has exhausted them — yet they are forced to tolerate each other for one more day and night.

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Two fellows find themselves in prison for thieving but it is actually their fortune because an old man before dying gives them a treasure map so after their release they try to find it but there are some problems.

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The uneasy relationship between a mother and daughter is made all the more turbulent by drug abuse in this downbeat drama from Iranian filmmakers Rakhshan Bani-Etemad and Mohsen Abdolvahab

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A hundred and fourteen famous Iranian theater and cinema actresses and a French star: mute spectators at a theatrical representation of Khosrow and Shirin, a Persian poem from the twelfth century, put on stage by Kiarostami. The development of the text -- long a favorite in Persia and the Middle East -- remains invisible to the viewer of the film, the whole story is told by the faces of the women watching the show.

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An artist's life who lives in a village of Kurdistan,Iran has been changed because his nephew enters to the village.

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Parkway is a crossing in Tehran. Part horror, part thriller, the film chronicles the tribulations of a young couple, Raha and Kouhyar.

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Director Bahman Farmanara's second film following a 20-year exile from his native Iran depicts the spiritual crisis of a middle-aged man. In the film's dreamlike opening scene, Dr. Reza Sepidbakht (Reza Kianian), a well-off Tehran gynecologist, thinks he runs over an angel while driving home at night with a call girl. The next morning at the hospital where he works, he is shown a comatose boy who is famous for having memorized the entire Koran. These two events cause him to rethink his cynical outlook on life and his relationships with his elderly father, wayward son, and the women he has mistreated since becoming estranged from his wife. When the boy awakens from his coma, Dr. Sepidbakht begins to look to him for answers.

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When Amir learns that the woman who is to marry his younger brother Reza is having an affair with another man, he murders her to restore his family's good name. Considering the killing to be a matter of honor, Amir stoically goes to prison for 12 years where his fellow inmates regard him as a hero. But when he is released, he discovers that the Iran he knew has changed.

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The story begins with the death of Harun al-Rashid, the Abbasid caliph, and the coming to power of his son Amin. In the continuation of the war between Amin and his brother Mamun, the caliphate of Mamun and the bringing of Ali ibn Musa al-Reza to Merv is shown. It also describes the important events of this period, such as the rain prayer, the Eid al-Fitr prayer, and the debates between religions

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An Iranian director and his technical crew scramble to complete post-production on their latest film in time for the Fajr Film Festival.

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During the Iran-Iraq war, Reza's wife gives birth, and dies soon afterward. Reza is taken as POW. Shokooh finds Reza's baby and raises her as her own. Many years later, Reza find's his daughter again...

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Maryam Banoo, a depressed wealthy woman, finds out that her husband is having an affair with another woman. Her husband leaves the house after Maryam Banoo understands the truth. Maryam feels lonely and, by accident, she finds a poor worker and his pregnant wife who are homeless and need a warm place and some treatments for the wife. Maryam Banoo helps them by inviting them to her house and entertaining them with several kinds of food and drinks. The husband and wife invite some other members of their family to Banoo's house and they start to steal Banoo's expensive furniture and bothering her with their bad behavior. Finally Maryam's husband comes back from the trip and throws the poor people out. He admits that he is sorry about his affair but Maryam doesn't accept it and moves to an unknown place to live in peace. Her husband goes after her.

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Hamoon's wife is leaving him. He is also unsuccessfully trying to finish his Ph.D. thesis. He is forced to reexamine his life. In a series of flashbacks and dreams, Hamoon tries to figure out what he did wrong.

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Reza and Farid, who have lost their wives Atefeh and Leyli, find themselves displaced when the Green House is destroyed, and in this displacement they visit different parts of Iran. They become familiar with the stories of the Azeris, the Southerners, and the Baluchis, and ultimately realize that even if the Green House is destroyed, the Green Land still stands.

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