Izibene Oñederra

A small community enters a state of collapse due to an environmental crisis and is adapting as best it can to the new reality. The privileged residents live a hedonistic life based on carpe diem, while the others struggle to survive with no alternative.

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As Hélène Cixous would say, we precisely live in this time when the conceptual basis of an age-old culture is being undermined by millions of moles of a species never seen before.

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Twelve short films, twelve portraits of the city of San Sebastian.

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I told him I was a filmmaker... and nothing has changed. Amid these landscapes traipses the soul, at times certain, at others uncertain of its own existence, while the body is and is and is and has no place of its own.

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The animation is based on a sound piece of Xabier Erkizia, created from an interview given by the musician Santiago Irigoyen.

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The Basque word hezurbeltzak does not appear in dictionaries. It is a non-existing word used to describe socially invisible groups. Its literal translation would be "black bones".

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At last we are starting to hear the voice of women in the cinema. We celebrate it with this documentary on the Basque women moviemakers of yesterday and today, giving a global overview of the subject. Three female divers guide us through the topic of their films, their points of view, their dreams, their efforts to get somewhere, their contribution to the cinema and to society.

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A small community enters a state of collapse due to an environmental crisis and is adapting as best it can to the new reality. The privileged residents live a hedonistic life based on carpe diem, while the others struggle to survive with no alternative.

Open details →

As Hélène Cixous would say, we precisely live in this time when the conceptual basis of an age-old culture is being undermined by millions of moles of a species never seen before.

Open details →

Twelve short films, twelve portraits of the city of San Sebastian.

Open details →

I told him I was a filmmaker... and nothing has changed. Amid these landscapes traipses the soul, at times certain, at others uncertain of its own existence, while the body is and is and is and has no place of its own.

Open details →