Han Fei

Another classic film from Shanghai Animation Film Studio, "Saving Mother" was one of the most popular animations in China. The story is based on the traditional Chinese folklore about a boy named Chen Xiang. His mother was a goddess and his father a mortal. His uncle, Erlang Shen, punished Chen Xiang's parents because their marriage was against the rules of the heavens. Chen Xiang's mother was locked in a mountain until her son split the mountain and saved her.

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In 1930's Shanghai, Wu Sunpu, chief executive of the Shanghai Yuhua Silk Company, faces many struggles: with plant workers, with strikers, others in his industry, and most of all with bourgeois comprador Zhao Botao. Capitalists and other figures in Shanghai's industrial and commercial community come and go. The strategy finally comes down between Wu and Zhao. Zhao plans to take over Wu Sunpu's plant with support from Americans. Wu faces a choice of surrender to Zhao or bankruptcy. He considers suicide, but decides to go on vacation with his wife on Mount Lushan. When they leave Shanghai at midnight, Wu paces the deck of the ship, reviewing his life and fate.

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Set in the Chinese Civil War, Guangxi, a southwest China province. Three teenagers must send a secret letter to the guerrillas in ten days.

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Aolei Yilan lead her tribe to defend against russian invasion in 17th century China

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A story about promotion of the birth control policy in a traditional Chinese rural village.

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Shot in gorgeous color, this fascinating communist flipside to fifties Hollywood music biopics chronicles the life and tragic early death of Nie Er, the composer of the PRC’s national anthem.

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A magician comes back to Shanghai to find his son separated twenty-five years ago.

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Hua wanted to be a professional barber, but her husband Jia didn't support her. But Hua joined a barbershop and became a popular barber when Jia was on a business leave. What will Hua do when Jia coming back?

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China 1839. Because the British imports of opium into Southern China are creating such widespread medical and economic problems, the weak Manchu emperor Tao Kuang is forced to take action that precipitates the 'Opium War'.

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Wang Jiayou, a young worker at the Shanghai New Machinery Factory, is a man whose life is unorganized, does not pay attention to labor discipline, and often spends his youth in dance halls, skating rinks and cafes. When working during the day, he appears listless and often has accidents.

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A financially struggling office worker goes into debt in order to afford traditional holiday gifts for his boss and landlord. Part of Hong Kong Film Awards' 100 Best Chinese Movies.

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A 50's Chinese film that reflects the post-war society, expresses idealism and pleads to return to the homeland.

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A wedding musician fails to wed his own love: Little Trumpet is raring to marry his childhood sweetheart, but a series of setbacks has prevented them from getting their way. Criticism against social formalities becomes all the more forceful with the clever use of contrast and irony, not to mention the realist and comedic touch a la Zhu Shilin. Of special mention is the famous teahouse scene where dynamic, melodic camerawork creates a hilarity that continues to amaze to this day. A genuine masterpiece with every single detail, down to the minor props, forming an integral part of a whole. Today, young couples are struggling nonetheless to get a roof over their heads, a testimony to the fact that poverty still reigns beneath the facade of harmony and stability after all these years.

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A Chinese drama

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As China falls into hyperinflation following the end of the war, people fought tooth and nail to get their hands on the only reliable currencies in the world: gold and American dollars. This is a story that shows how seven bars and two thousand US dollars bring together an interesting mix of characters: an opportunistic manager, a materialistic courtesan, a con artist posing as a commissioner of the Treasury, a white-collar worker who will do anything for a promotion, a man who specialises in conning women, a father who marries off his daughter for money and a sorcerer who fakes his magic. In this dog-eat-dog world, the only truth is that everyone is lying for his own gain. Playing the courtesan who longs to be part of high society, Li Lihua steals the film with a feisty performance opposite the amusing Yan Jun, whose con artist character has a tendency to flirt with lyrics from Peking operas.

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Ma the flying bandit calls it quits after his daughter is born. His wife, a onetime prostitute, can’t stand poverty and turns him in to the authorities before resuming her profession. Years later, when the daughter is set to get married, the unabashed mother blackmails her own flesh and blood, so Ma has to escape from prison to thwart her.

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Chen Shaochang (Shi Hui), a primary school principal widowed at a young age, raises his children alone. His close friend's daughter, Liu Minhua (Zhu Jiachen), whom he hasn't seen for many years, begins working at the primary school through his introduction. Chen Shaochang's son, Jianzhong (Han Fei), and daughter-in-law, Feng Lijun (Li Huanqing), consider Chen's job undignified. After retiring, he is filled with melancholy, understood only by Minhua. Although their relationship deepens, they must contend with the ethical and social norms of Republican-era Shanghai.

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The great Chinese star Shi Hui stars as an energetic lawyer fighting for the good of his neighbors in this stirring, almost Capra-esque drama from Cao Yu, one of China’s most important twentieth-century playwrights.

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A man who becomes wealthy starts to have an affair and though his wife knows of it, she says nothing. Soon, the affair starts to have consequences and his business falls apart while the man’s sister starts to have a relationship with the brother of his wife.

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Yuerong is an downtrodden orphan girl. She is taken in by Erhe, a rickshaw driver, whose neighbors, recognizing her intelligence and singing talent, recommend her for opera lessons. However, the manager Liu soon begins to take advantage of her.

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Chen Shaochang (Shi Hui), a primary school principal widowed at a young age, raises his children alone. His close friend's daughter, Liu Minhua (Zhu Jiachen), whom he hasn't seen for many years, begins working at the primary school through his introduction. Chen Shaochang's son, Jianzhong (Han Fei), and daughter-in-law, Feng Lijun (Li Huanqing), consider Chen's job undignified. After retiring, he is filled with melancholy, understood only by Minhua. Although their relationship deepens, they must contend with the ethical and social norms of Republican-era Shanghai.

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