Cecilia Toussaint

Sofía Peralta-Avitia Villaseñor, a successful businesswoman and great mother, who feels lonely in her marriage to Gonzalo Balmori-Ricci Nava. At the same time, her daughter, Bárbara Balmori-Ricci Peralta-Avitia, and her young bodyguard, Salvador "Chava" Reyes Encino, will transform their rebelliousness into passion. But none of them know that the evil, ambitious people around them will try to meddle in their paths on their road to love.

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In "Tespis Teporocho", a boy who interacts with vagabonds thirsty for knowledge, finally absorb them from an unexpected teacher.

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Alvaro, an optimistic young man falls in love with Carla, a girl who is in a mental clinic. In trying to help her, he learns that mental illness requires more than just a positive attitude to overcome.

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When a woman of humble origins is coerced into surrogacy, she becomes entangled with an affluent family who will protect their reputation at all costs.

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Two identical twin sisters, separated at birth, one truly decent but humble, the other ultra rich, conniving, and truly destructive. They soon find themselves hopelessly intertwined in each other's lives.

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The journey of an unemployed amateur musician who reluctantly agrees to take care of his young nephew.

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After realizing their babies were exchanged at birth, two women develop a plan to adjust to their new lives: creating a single —and peculiar— family.

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Elisa Cantú never imagined that, upon returning to Mexico from New York, where she resides, she would encounter an unexpected tragedy that changes her life. The night Elisa would celebrate her birthday, fate leads her to meet Leonardo Velasco, a policeman in love with Julia, a teacher, to whom he was to marry. At the end of the evening, Leonardo receives an emergency call, in which the discovery of two bodies is reported, one of them is that of his fiancée, who lies next to the body of Augusto Cantú, millionaire businessman and father of Elisa. Elisa and Leonardo will come together to search for the truth of what happened.

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A Mexican telenovela revolving around Marina, a blind woman who because of her disability has developed a great sensitivity.

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The world has woken up surprised by a massive catastrophe, the disappearance of millions of people who are apparently homosexual. Ale, a girl who was adopted by a same-sex family, is in danger, as the country's government is taking preventive measures in light of the event, and intends to return all the children who were adopted by these families to the orphanage where they came from.

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A detailed dramatization of historical events during the time of the Revolution in Mexico. Using never-before-known historical documents, details about what happened during the period from 1910 to 1928 are revealed.

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DKDA: Sueños de juventud is a Mexican youth telenovela produced by Luis de Llano Macedo for Televisa and originally broadcast on Canal de las Estrellas from November 22, 1999, to April 28, 2000. Created by Susan Crowley and adapted by Sergio Schmucler and Carmen Sepúlveda, the telenovela stars Jan, Litzy (later replaced by Andrea Torre), María Sorté, Otto Sirgo, and Eugenia Cauduro. The series was conceived around a fictional pop group and blends music with teen drama. The story follows Rodrigo Arias and Laura Martínez, two teenagers brought together by the successful pop group DKDA. As they pursue their musical dreams, they face romance, rivalries, family conflicts, jealousy, and personal challenges. Alongside their friends and bandmates, they learn about love, friendship, loyalty, and the responsibilities that come with fame while navigating the ups and downs of youth.

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A compilation of 20 Mexican children's song, composed from 1850 to 1950, ranging from lyrical to surrealist, illustrated with digital animation.

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Bruno, a novelist with no luck goes to call for help from his love always sofia, who is in Veracruz desolate without knowing what to do with the corpse of her boyfriend who died because of a heart attack while they made love

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Juan and Pilar return to Mexico City on the same train. Destiny cross their paths in a taxi stop, off the train station. A cab arrives and they take each other's baggage by mistake. After that, they spend two days looking for each other, trying to recover their stuff. In the meantime, Juan reads Pilar's diary and she listens to his thoughts recorded on tape. Love begins to grow between these two proper strangers.

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The year is 1972: Magdalena Dumont and Octávio Muriel are celebrating the birthday of their daughter, little Estefanía, at a party in the family mansion. However, this party is merely a backdrop and an opportunity to commit a crime.

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A gritty musical drama about life in the ghettos of Mexico City during the 1980s. With a soundtrack of Mexican rock music, the camera takes the viewer through the streets, to rock concerts, and to the bars and clubs, where he exposes the hunger, repression, unhealthy conditions and violence in the marginal communities of Mexico's capital city.

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This film is a chronicle of painter Frida Kahlo, and her encounter with the personalities of her time. Despite being confied to a wheelchair as a result of polio, operations and amputations, she faces and traces some of the most colorful and controversial aspects of Mexican history, during the dominant time of Mexican muralism.

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Women escape from prison to search for a treasure whose location has been revealed to them by a dying old woman.

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Anna is a psychologist undertaking research about famous suicidal women. She takes a specific interest in the case of Antonieta Rivas Mercado, who killed herself in 1931 in the Cathedral of Notre-Dame de Paris.

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Mexican feature film

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An actor from the provinces, a soap-opera star, reaches the big city with dreams of success. Partly through sincerity and partly prompted by an uneasy conscience, he wants to revolutionize the traditional photo-novel by linking it to social and political reality, to "bring social conscience to the masses" by utilizing this traditionally manipulative and alienating mass medium. The film narrates, in a tragicomic tone, the itinerary followed by Gualberto Rodriguez in his efforts to produce his 'revolutionary' photo-novel: the story of a peasant that migrates to the city, becomes a blue-collar worker, tries to establish a union, and ends up falling in love with the factory owner's daughter. The 'revolutionary' ends up being used, manipulated, and his project fails completely.

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