Fermí Herrero

All girls volley ball team The Falcons end up stranded in the middle of nowhere after their mini-van breaks down. Little do they know they landed in degenerate hunters' territory and the hunt is on. Thus begins a very long night where they must run for their lives and test their team spirit. But the girls are more resourceful than it appears. In the heart of the forest, the tables are about to turn between hunter and hunted...

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La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.

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A caustic satire of many of the 'types' found in Spanish society.

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Montevideo, Uruguay. In this comedic drama, Elisa, 27, dreams of opening her own hairdressing salon in one of the rich districts of the Uruguayan capital. A bit of a rebel, one day Elisa moves out of her mother's house with her two children and breaks up with Garcia, her boss and lover who has infuriated her by not wanting to get married. So, in the space of twenty-four hours, Elisa finds herself without a roof over her head, without a man, without a job and without money. Her best friend Loulou finds her a job - in the brothel run by Dona Jacqueline. And without really being aware of it, Elisa slides into prostitution, which leads her to Barcelona. She falls in love, she is exploited, she gets involved in transvestite gang wars, and meanwhile just dreams of earning enough money for her little beauty salon back home.

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Fifty-something widow Anita loses her lifetime dream job as a cinema attendant when the new owner wants to tear down the old theater and build a trendy multiplex in its stead. Depressed at first, Anita finds comfort in watching the shirtless hunks on the theater's construction site. She befriends a married excavator operator, Antonio, and the two start their secret candlelit trysts in the site's office cabin. But soon Anita learns that excavators are only needed in the early phase of a construction project...

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An irresponsible young Spaniard having spent 6 months in jail for embezzlement gets a job as a waiter in a bar restaurant and becomes involved in a stolen goods racket.

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Julia runs a trendy bar in Barcelona. She treats men with caution, believing one can love too much and invite pain. She's been dating Pablo, one of her waiters. After his grisly murder (his heart is cut out), she receives anonymous messages and video tapes from a man who says he is in love with her. Another murder follows, the police give her 24-hour protection, and Pablo's replacement at the bar, the virile Antonio, seems to be attracted to her. As Julia's stalker closes in, she's on the verge of a nervous breakdown, then becomes almost serene. Leading the investigation is a police comisario who's eyes are covered as he awaits the completion of treatment. Will we see the murderer?

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