Léo Bittencourt

The documentary Black Rio! Black Power! looks at the influence of the Black Rio movement on culture, society and the struggle for racial justice in Rio de Janeiro and Brazil between the 1970s and 1980s. The film shows the movement's impact on music and on the direction of politics and the black movement during the period of re-democratization, influencing genres such as hip-hop and funk, and the affirmative stance of the younger generations, who perpetuate the black pride and aesthetic appreciation spread by Black Rio 50 years ago.

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Simone is a young law student who studies criminal law and advocates for women's rights. On her free time, she's a cam girl that makes live sexual performances on the Internet. One night, she watches a video that awakens her interest in BDSM-related activities, leading her into a series of conflicts dominated by violence and eroticism.

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The night side of a modernist icon. The fauna and flora of Roberto Burle Marx's gardens inhabited by visitors to Parque do Flamengo while the city of Rio de Janeiro falls asleep.

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A Nigerian musician travels to Brazil to search for his estranged brother, who is living a life very different than the one his family thought.

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Started in 2018, the project – comprised of 11 segments by filmmakers from all around the world – reflects on the intertwined relationship between human society and nature that is aggravated by climate change on multiple scales, hinting at possible solutions.

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The First Stone exposes the terrible face of intolerance, where angry lynch mobs take justice into their own hands. The documentary tells the story of lynching victims and investigates the shocking growth of this crime in Brazil where one lynching is registered everyday - the highest rate worldwide. A narrative with engaging characters and dramatic stories of lives that have been devastated by this violent trend in mob rule.

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One couple, one night, an entire relationship of years.

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Based on Guy de Maupassant's "The Night".

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SATELLITES is a documentary about the passion for soccer told through the points-of-view of characters who were following somehow the final match of the Brazilian Soccer Cup. The film moves the focus from the game to the field's margins, to the fans, to outside the stadium. The movie intends to capture the tension, atmosphere and charm of a final match. SATELLITES translates, based on images captured during that game, the sensation of being at the stadium watching the game with no images of the game itself.

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A character, an actress and the passing of hours in a Holocaust interrogation. The film moves through the echoes of reality: representation, testimony, memory, fiction and investigates the limits between actress and character.

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A journey between five towns whose former prosperity has waned; a surprise journey into a family history.

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Vera and Alda are neighbors and work at the same school: Vera is a teacher, Alda a cleaner. The link between them is Joana, Alda’s granddaughter and Vera’s student. Vera is trapped in a violent relationship with her boyfriend. Alda, for her part, begins studying again and soon realizes she’s also in an abusive relationship: her son, Dinho, won’t let her focus on herself and insists that she take care of his daughter, Joana. Vera and Alda find in their friendship a safe space to share their pain and desires, slowly shifting the power dynamics at home and at work, but they also have to face new risks.

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