Max Eluard

Fifty-something Rosa, lying in an MRI scanner, is prompted to summon a happy memory. She plunges into a meandering, subconscious road trip with her indomitable mother, both queer, where wild imagination becomes a tender, unruly form of therapy.

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Lucas returns to his parents house to celebrate his father's sixteenth birthday. When confronted with the conservative and bourgeois world from which he had escaped, Lucas realizes that he can no longer hide behind his old mask and decides to express what he really thinks.

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In a salmon-coloured drawing room, a writer of sadomasochist literature now in her seventies narrates her turbulent, sexually explicit life story, once as her pseudonym and once as herself. What makes up a true biography, the real or the imaginary?

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I recorded four years of the life of a great friend of mine in the attempt to catch some sort of catharsis. As I tried to deal with endings that were taking place in my life, the inevitable happened to him. His mother passed away without leaving any record on video. This is a movie to refrain from the fear of forgetting.

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In Sao Paulo, Janaína and João take care of each other. She has epilepsy. He is in a relationship with a man who prefers to keep his distance. Above their lives floats the vague trauma of a mudslide that may have buried men and machines alike. Together, they try to protect their bodies from the evil that seems to spread like a fever.

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Tan needs to cry.

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Sandra is pregnant and wants a girl. Her husband Marcos wants a soccer player.

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